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Capturing the Friedmans

United States

2003

107 Min
Color
1.85:1
English
  • Currently 3.9/5 Stars.
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DIR Andrew Jarecki

PROD Andrew Jarecki, Marc Smerling

DP Adolfo Doring

ED Richard Hankin

PROD DES Nava Lubelski

MUSIC Andrea Morricone

SOUND Marlena Grzaslewicz, Bruce Kitzmeyer, Ira Spiegel

Sundance (U.S. Documentary Competition): Grand Jury Prize, São Paulo: Best Documentary, Karlovy Vary

Synopsis

In the late 1980’s, the Friedmans – father and respected computer and music teacher Arnold Friedman, mother and housewife Elaine Friedman, and their three grown sons, David Friedman, Seth Friedman and Jesse Friedman – of Great Neck, Long Island, are seemingly your typical middle class American family. They all admit that the marriage was by no means close to being harmonious – Arnold and Elaine eventually got divorced – but the sons talk of their father, while also not being always there for them, as being a good man. This facade of respectability masks the fact that Arnold was buying and distributing child pornography. Following a sting operation to confirm this fact, the authorities began to investigate Arnold for sexual abuse of the minor-aged male students of his computer classes, which he held in the basement of the family home. –IMDb

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filmisrelevant

14Apr12

Compelling from start to finish.

Donald Alexandre

8Jan12

Un des meilleurs documentaires que j'ai vu, qui laisse le jugement au spectateur. Troublant.

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Threske

6Apr11

A window into a profoundly dysfunctional and neurotic family. One of the most depressive films I've seen, documentary or otherwise. ★★★★ for filmmaking; I'll be glad to never see it again

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Jamie

17Nov10

Essentially what a good documentary should be: The exploration of a film maker within the subject and build of narrative as he/she sees it. Jarecki clearly had a judgement on the case, and he makes this quite clear at times, however there's a brilliant ambiguity to the film that shows the 'chinese whisper' essence of human beings. I know if I watched it 10 times I'd have a new opinion each time. Absolutely brilliant.

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By Aaron Dumont on November 1, 2009

Not since Dreyer’s Day of Wrath has such a rapturous, stark and openly, frankly Godless depiction of familial crisis, existential isolation, the boundaries between truth and Truth, and the slipperiness…  read review

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