Carrie White is a shy young girl who doesn’t make friends easily. After her class mates taunt her about her horrified reaction to her totally unexpected first period one of them takes pity on her and gets Tommy Ross, her boyfriend and class hunk to invite Carrie to the senior prom. Meanwhile another girl who has been banned from the prom for her continued aggressive behaviour is not as forgiving and plans a trick to embarrass Carrie in front of the whole school. What she doesn’t realise is that Carrie is … gifted, and you really don’t want to get her angry. —IMDb
Brian De Palma is one of the well-known directors who spear-headed the new movement in Hollywood during the 1970s. He is known for his many films that go from violent pictures, to Hitchcock-like thrillers.
Born on the 11th of September in 1940, De Palma was born in New Jersey in an American-Italian family. Originally entering university as a physics student, de Palma became attracted to films after seeing such classics as Citizen Kane (1941). Enrolling in Sarah Lawrence College, he found lasting influences from such varied teachers as Alfred Hitchcock and Andy Warhol.
At first, his films comprised of such black-and-white films as Bridge That Gap (1965). He then discovered a young actor whose fame would influence Hollywood forever. In 1968, de Palma made the comedic film Greetings (1968) starring Robert de Niro in his first ever credited film role. The two followed up immediately with the film The Wedding Party (1969) and Hi, Mom… read more
Compared to DePalma's other films, Carrie lags when it comes to energy and absurdity. There are some amazing moments, and DePalma's visual style is flamboyant as usual, but it really is way too uneven and it shows. As usual, the opening is masterful and the soundtrack magical. The ending alone deserves recognition for its cinematic intensity.
A weird movie for sure, lots of interesting camera work. I liked the part when Carrie and Tommy danced; it went from enchanting to nauseating to frightening in a matter of moments. I would love to see a Criterion release.
A number of iconic set-pieces (and multiple strong performances, Spacek's being the best), but I have to say, having finally seen it, that it's not at the top of my De Palma Favorites List.
Some of DePalma's approaches are a bit drawn out but otherwise he nails down the dark fairytale aspect of the book. Interestingly enough elements of the film that are clearly in tune with the 70's dont date the film but actually enhances the modern fairytale quality. The image of the mother crucified at the end is quintessential DePalma with his approach to violence taking on religious significance. Must see.
Lo que envuelve a esta gran obra del autor King es un manto de cosas tetricas y una historia realmente increible , nos llena de un misterio y una sed de sangre propias de una mente maquivalica como… read review