Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Synopsis

Martin Scorsese, one of America’s most influential filmmakers, returns to the world of mobsters, greed, and excess that he explored so compellingly in 1990’s Goodfellas. Set in the 1970s and reveling in the minute details of how Las Vegas casinos operate, the film chronicles the rise and fall of casino manager Ace Rothstein (Robert De Niro). As the king of his domain, Ace efficiently runs the business and regularly sends lots of cold cash to his bosses. Helping him keep the casino’s employees and customers honest is his best friend, Nicky (Joe Pesci), a violent sociopath. Although Ace aims to run a relatively respectable casino, the volatile Nicky wants to take over the entire gambling mecca, and when Ginger McKenna (Sharon Stone), a seasoned Vegas hustler, enters the picture, Ace and Nicky’s friendship is complicated even further. As drugs and alcohol become a bigger part of Ginger’s life, all three are eventually brought down by their own greed and blind ambition. –amazon

Director

Original

Martin Scorsese

Martin Scorsese was born in New York City and soon developed a passion for cinema and a particular admiration for neo-realist cinema which inspired him and influenced his view or portrayal of his Sicilian heritage. After graduating from NYU Film School in 1966 and making a number of shorts, he shot his first feature-length film Who’s That Knocking at My Door (1968) with fellow student, actor Harvey Keitel, and editor Thelma Schoonmaker both of whom were to become long-term collaborators. Mean Streets followed in 1973 and provided the benchmarks for the ‘Scorsese style’. After Scorsese directed Alice Doesn’t Live Here Anymore, the trio was reunited for the dark journey of Travis Bickle in Taxi Driver. After New York, New York Scorsese released Raging Bull. The acclaimed biography of middleweight fighter Jake LaMotta was followed by exploration of fans as pariah in The King of Comedy, dark-comic dreams in After Hours and pool sharks in The Color of Money. Scorsese outraged some religious… read more

Wall

Displaying 4 of 34 wall posts.
Picture of Steve Pulaski

Steve Pulaski

14Jan12

Maybe I'm crazy, but I favor this a bit more over "Goodfellas." I found this to be more concerned with the mob history than the story and character development. Still, that's not to say De Niro, Pesci, and Stone weren't amazing.

Picture of Andrea Lazzaroni
Picture of mooniac

mooniac

30Oct11

Sharon Stoned :D

Steve Pulaski and Cedric like this

MarcH

16Oct11

Undeniably great, but a little drawn out with all the marital strife. I'm always exhausted by the end credits.

Related Films

Fans

Displaying 5 of 3641 fans.

Articles

Our roundup of essays and articles on this film.
W184

Daily Briefing. Radical America in 1980

By David Hudson on November 12, 2011

Also: Paolo Sorrentino’s first novel, mid- to late Scorsese, DVD news and more.

read article
W184

Peter Jackson Answers Questions From The Auteurs Community

By Glenn Kenny on December 8, 2009

Director Peter Jackson has had one of the most unusual journeys in contemporary film history, going from frantic micro-budgeted shock-horror

read article

Lists

Displaying 5 of 329 lists.

Reviews

Displaying 2 of 2

CASINO

By Daniel A. DiCenso on September 4, 2011

Martin Scorsese’s Casino literally begins with a bang and from the beginning, Scorsese delivers on his promise to deliver pure rapid-fire Scorsesian excitement. This is not to say that Casino is exactly…  read review

Untitled

By Alonso Díaz de la Vega on December 26, 2008

Martin Scorsese’s highly stylized version of Sodoma and Gomorra that replaces perversion and sodomy with greed, offers a vision of a world fueled but also destroyed by those who don’t know when to…  read review

Forum

Displaying 1 discussion topic.

Casino: Better than Goodfellas?

98 posts by 29 people over 1 year ago