The magic touch of master animator Hayao Miyazaki is visible from start to finish in Castle in the Sky – an imaginative tale full of mystery and adventure. The high-flying journey begins when Pazu, an engineer’s apprentice, find a young girl, Sheeta, floating down from the sky, wearing a glowing pendant. Together, they discover both are searching for the legendary floating castle, Laputa, and vow to unravel the mystery of the luminous crystal around her neck. Their quest won’t be easy, however. There are air pirates, secret agents and astounding obstacles to keep them from the truth – and from each other. —Disney
Hayao Miyazaki is one of Japan’s greatest animation directors. The entertaining plots, compelling characters, and breathtaking animation in his films have earned him international renown from critics as well as public recognition within Japan. The Walt Disney Company’s commitment to introduce the films to the rest of the world will let more people appreciate the high-quality works he has given the movie-going public.
Hayao Miyazaki was born in Tôkyô on January 5, 1941. He started his career in 1963 as an animator at the studio Toei Douga studio, and was subsequently involved in many early classics of Japanese animation. From the beginning, he commanded attention with his incredible drawing ability and the seemingly endless stream of movie ideas he proposed.
In 1971, he moved to the A Pro studio with Isao Takahata, then to Nippon Animation in 1973, where he was heavily involved in the World Masterpiece Theater TV animation series for the next five years. In 1978, he directed… read more
Beautiful, inventive design work combined with what should be a rousing adventure - but the adventure kind of drags.
I have the sensation that all the mijazaky's films dont have a clarifier end. we are used to in the animation movies, everything stop at the end, the good are good and the bad have no future if they don't have a redemption. In the mijazaki's world there is a constant balance in trouble. also at the end. and the characters ar all thinking "now it's ok, but we know that we don't have stop fighting"
The storyline of Laputa is very interesting, and it is great escapism for its viewers. But honestly, it is overlong! The film is two hours long for one that could have just been 90 minutes. Studio Ghibli should have condensed Laputa to the main storyline and removed everything else. It's as if they needed to make use of the beautiful soundtrack by extending every action scene to nothing but a bore.