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Cell 211

Celda 211

France, Spain

2009

110 Min
Color
1.78:1
Basque, English, Spanish
  • Currently 3.7/5 Stars.
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DIR Daniel Monzón

EXEC Elena Manrique, Emma Lustres Gómez, Borja Pena, Pilar Benito, Javier Ugarte

PROD Álvaro Augustín, Juan Gordon

SCR Jorge Guerricaechevarría, Daniel Monzón

DP Carles Gusi

CAST Luis Tosar, Alberto Ammann, Antonio Resines, Marta Etura, Manuel Morón, Carlos Bardem, Luís Zahera, Fernando Soto, Vicente Romero, Manolo Solo, David Selvas

ED Cristina Pastor

PROD DES Antón Laguna

MUSIC Roque Baños

SOUND Tamara Arévalo, Sergio Bürmann

Toronto (Contemporary World Cinema), Venice (Venice Days), Melbourne (International Panorama), San Sebastián (Made in Spain), BAFICI (Panorama), Helsinki (Keskiyön Kuvat)

Synopsis

Daniel Monzón’s Cell 211 is a gripping, suspenseful thriller, as well as a political commentary on the situation in Spanish jails today. While the film hits several notes popular to the prison film genre, it also questions the extent to which the violence characteristically bred within these facilities is due to the “untameable” disposition of the prisoner.

Juan Oliver (Alberto Ammann) wants to make a good impression at his new job as a prison officer and reports to work a day early, leaving his pregnant wife, Elena (Marta Etura), at home. His destiny is forever changed by this fateful decision, as during his tour of the prison, an accident occurs that knocks him unconscious. He is rushed to the empty but visibly haunted walls of cell 211. As this diversion unfolds, inmates of the high-security cellblock strategically break free and hijack the penitentiary. Aware of the violence that is to come, the prison officers flee, leaving Juan stranded and unconscious in the heart of the riot. When Juan awakens, he immediately takes stock of the situation; in order to survive, he must pretend to be a prisoner.

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Fabio Di Felice

22Jan13

Un film incredibile: tesissimo, con un ritmo invidiabile e dei dialoghi fenomenali. Il personaggio di Malamadre colpisce così forte da lasciare un livido ("Di Malamadre non ride nemmeno dio"), e quello di Juan riesce a creare una forte empatia con lo spettatore, che soffre continuamente per il modo in cui il poveraccio viene spremuto perfino dalle istituzioni. **** e 1/2

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Daniela

4Jan13

Not bad! Good story and the main actor is h-o-t.

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rrrno

5Oct12

Muy buena, pero lo de Tosar excelente.

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Surisme

22Mar12

One of the most amazing films I've ever seen.

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Mettre un caleçon le premier jour de travail, toujours.

By Benoît on May 11, 2013

Bonne petite surprise espagnole qu’est Cellule 211 de Daniel Monzon. Le cinéaste nous plonge directement dans le vif du sujet pour ne laisser que très rarement le spectateur respirer. Bienvenue dans…  read review

I’ll see what I can do … Celda 211 [Cell 211]

By jaredmo​barak on May 10, 2010

Now this is the film I thought Un prophète would be. Despite all the hype surrounding that French prison drama—it was great—it never reached the pedestal of perfection for me. Yet here is the Goya…  read review

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