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Chaos, This Is

Heya fawda

France, Egypt

2007

124 Min
Color
1.85:1
Arabic
  • Currently 2.4/5 Stars.
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DIR Youssef Chahine, Khaled Youssef

PROD Jean Bréhat, Gabriel Khoury

SCR Nasser Abdel-Rahmane

DP Ramses Marzouk

CAST Khaled Saleh, Menna Shalabi, Youssef El Sherif, Hala Sedki, Hala Fakher, Amr Abdel Gelil

ED Ghada Ezz El Din

PROD DES Hamed Hemdan

MUSIC Yasser Abdel-Rahman

Venice (Competition), Toronto (Masters), London (Film on the Square), Rotterdam

Synopsis

Choubra, cosmopolitan neighborhood of Cairo. Hatem, maggoty police officer, handles this neighborhood with an iron hand. Every single citizen fears and hates him. Only Nour, a young woman he lusts after, dares stand up to him. But Nour is secretly in love with Cherif, brilliant and uncorrupted deputy public prosecutor. Green with envy, Hatem comes between. He wants Nour for himself. He whipsaws her and turns her life into a nightmare. The story of a frustrated love like Choubra experiences some since the mists of time. –IMDb

Director

Original

Youssef Chahine

Youssef Chahine (born in Alexandria, Egypt, 1926) started studying in a friars’ school, and then turned to English College until the High School Certificate. After one year in the University of Alexandria, he moved to the U.S. and spent two years at the Pasadena Play House, taking courses on film and dramatic arts. After coming back to Egypt, cinematographer Alevise Orfanelli helped him into the film business. His film debut was Baba Amin (1950): one year later, with Ibn el Nil (1951) he was first invited to the Cannes Film festival. In 1970, he was awarded a Golden Tanit at the Carthage Festival. With Le moineau (1973), he directed the first Egypt-Algeria co-production. He won a Silver Bear in Berlin for Iskanderija… lih? (1978), the first installment in what proved to be an autobiographic trilogy, completed with adduta misrija (1982) and Iskanderija, kaman oue kaman (1990).

In 1992, Jacques Lassalle proposed him to stage a piece of his choice for Comédie Française… read more

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Răpciune

1Apr11

i do not know if the public screening, instead of private, made the difference, but what could be a memorable drama turned into a totally hilarious, bollywood-like experience. still, it`s worth seeing for all its involuntary humour.

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