A trio of crooks relentlessly pursue a young American (Audrey Hepburn) through Paris to recover the fortune her dead husband stole from them. The only person she can trust is a suave, mysterious stranger (Cary Grant). A deliciously dark comedic thriller, Stanley Donen’s Charade dazzles with style and macabre wit to spare.—The Criterion Collection
Stanley Donen (born April 13, 1924) is an American film director and choreographer hailed by David Quinlan as “the King of the Hollywood musicals”. His most famous work is Singin’ in the Rain (1952), which he co-directed with Gene Kelly.
Donen started at Metro Goldwyn Mayer as a choreographer and dancer in Best Foot Forward (1943) with Lucille Ball. Donen appeared with Kelly in Cover Girl (1944) for Columbia Pictures, for which Donen also directed a sequence of Kelly dancing with his double on a darkened Manhattan street. His first chance to direct an entire movie was an adaptation of the Comden and Green musical about sailors on leave in New York City, On the Town (1949), with some songs by Leonard Bernstein, which Donen co-directed with Gene Kelly. This was the first movie musical to be filmed on location.
With Kelly again, Donen co-directed Singin’ in the Rain (1952) and by himself directed such classics as Royal Wedding (1951), where Donen directed Fred Astaire dancing… read more
a wonderful spy romp....one of the few films cited as hitchcockian which is deserved....
I can see why fans have enjoyed Charade for decades, but i was slightly disappointed. the social mores of the film are dated in a way that i found unpalatable. The film is sinister in a way that doesn't really go over anymore, and though Audrey Hepburn is adorable, her character's love for the Cary Grant's untrustworthy character is pathetic. Great cast and direction, though.
Despite the print screening on Netflix instant being of VHS quality, this was great fun.
Back in Brooklyn, down off Flatbush, they're showing a good, long string of Cary Grant movies at BAM. The series started Monday and
Hepburn falls in love for no discernible reason whatsoever and then continues to adore and believe in a man who lies to her over and over again. With each new explanation Grant gives regarding his… read review
I first saw a poor quality version of Charade (due to the fact that it’s in the public domain) on PBS years ago, and I was shocked that I’d never seen it before – or even heard of it! I guess that’s… read review
After seeing the dismal Jonathan Demme film The Truth About Charlie, I was left aghast. The film had so much going for it, but besides the surreal, New Wave feel of the end, just before the credits… read review