When jaded teens Jim, Eva, Emily and Mo meet William online, they’re seduced by his charisma. But William isn’t what he seems. He’s calculating and manipulative and doesn’t have time for people in the real world. Jim is vulnerable and he has no idea how dangerous his new friendship with William will be. When Jim confesses he’s on anti-depressants, William knows he’s found a victim. He vows to help Jim off his drugs, and the rest of the group fall in line. What begins as friendly advice to help Jim becomes twisted and Eva and Mo realise the deadly game William’s playing, but the wheels are in motion. Jim is set on a path of self- destruction, and is going to do the unthinkable. As Eva, Emily and Mo try to save Jim, William begins a terrifying game of cat and mouse chasing them across the internet, shutting down their systems, and cutting them off from his victim. Fantasy meets reality when William and Jim are face to face in rush hour on the underground. Without the faceless security of the online world, everything becomes real. It’s now a race against time to save Jim, but the clock is ticking… and we fear someone must die. –IMDb
Hideo Nakata (中田 秀夫 Nakata Hideo; born July 19, 1961) is a Japanese filmmaker.
Nakata was born in Okayama, Japan. He is most familiar to Western audiences for his work on Japanese horror films such as Ring (1998), Ring 2 (1999) and Dark Water (2002). Several of these were remade in America as The Ring (2002), Dark Water (2005), and The Ring Two.
Nakata was scheduled to make his English-language debut with True Believers, but later pulled out. He was later offered by DreamWorks to direct the movie The Ring Two (2005), which he accepted, making his English-language debut with a sequel to a remake of his own film.
Nakata made his initial breakthrough into film with Ghost Actress (1996). Although failing to attain any large-scale success, the film was responsible for leading to his directing of Ring.
Other Nakata films include Sleeping Bride (2000); Curse, Death and Spirit; and Chaos (2000). He directed the psychological thriller The Incite Mill which premiered… read more
A film most people seem to hate but I thought it was brilliant. It's not a horror movie so don't go in expecting that.
Visually speaking, it's brilliant. Representing the chatroom as hotel spaces is very clever. Narrative-wise, however, the film is a disaster. This could have become for cinematic representations of online interaction what Mamoru Oshii's Avalon was to video games. Sadly, its patronizing, moralizing angle is more irritating than challenging. I miss Kurosawa's Pulse.
"Hideo Nakata's laughably dated Chatroom finds a quintet of annoying British teens, including Kick-Ass' Aaron Johnson, gathering in virtual
Above: Clio Bernard's The Arbor. An entirely subjective rundown of the 20+ most-anticipated British films scheduled to have their first public