During France’s belle époque before World War I, elegant cars, mansions, and servants defined the lives of les grandes horizontals, the courtesans of kings and millionaires. One of the most successful, Lea de Lonval, is approaching a certain age when an older associate, Charlotte Peloux, asks Lea to take on her 19 year old son, whom Lea has called Chéri since he was a child. They become lovers and, to their surprise, the relationship lasts six years. When it ends abruptly with a marriage his mother arranges to the daughter of another courtesan, Lea finds herself miserable. Has she fallen in love? If so, do she — and Chéri – have any choices? –IMDb
Frears was born in Leicester, England to an Anglican father and a Jewish mother. Attended the Trinity College in Cambridge before starting his carreer in television where he contributed to several high-profile series such as the BBC’s Play for Today. In the mid-1980s he came to prominence as an important director of British and later American films. It was his production of the one-off drama My Beautiful Laundrette for Channel 4 in 1985 that led to his notice as a capable film director when the production was released theatrically to great acclaim. He next directed another successful British film, the Joe Orton biopic Prick Up Your Ears in 1987, followed by a second film from a Hanif Kureshi screen play, Sammy and Rosie Get Laid. The following year he made his Hollywood debut with Dangerous Liaisons. Frears had another critical success with The Grifters, for which he was nominated for the Academy Award for Best Director but suffered a major box office disappointment with Hero, starring… read more
I had to watch the movie until the very end in order to realize my affection for this movie. The tone of the entire movie is parallel to the story of its leading lady. By the way, I have to say that Michelle Pfeiffer has done a great job in this film. The dialogue at the very end... I will remember that one.
Deja vu. I know I’ve seen this movie before. But where? Oh, right. EVERYWHERE. “Cheri” is like one of those tired period pieces that Hollywood seems to toss out every couple of years just to prove… read review