Some damn fine film making, and perhaps the best director cameo of all time? this movie just oozes mood and cool. I'm not sure if Nicholson carries the film, he just seems so natural in the role. I also find myself wrapped up in the mystery each time, even though I know the secret. There are twists and turns galore and I love watching Nicholson chasing down clues. It's not over rated, it's just that good.
I liked it a lot...but its a bit overrated. Without Jack Nicholson this movie is nothing.
Currently re-watching this - in HD for the first time. The production design, the costumes, obviously the casting, the score, the writing, the editing. Everything about it is stellar. Is this the best film made by Paramount? By Hollywood?
One of the best produced american scripts ever. Robert Towne's masterful intrique is given full power by sharp direction by Polanski , cinematography by Alonzo and pretty much all artisans firing at full throttle. Nicholson and Dunaway perfectly cast with John Huston at his most memorable as Cross. A film that casts a spell on the viewer and challenges them to keep up. One of the very best films of the seventies.
Polanski vivia em estado de graça com os EUA quando rodou 'Chinatown' em 1974. Em sua excelência visual e trama intrincada, apropriada do que chamaria clichês do cinema noir, o filme conta com uma atuação certeira de Faye Dunaway e NIcholson em sua versão jovem de canastrão. O diretor tem aparição, como nesse frame aqui, e me lembro de um dos curtas dele, 'break up the dance' (57), onde já mostra seu lado 'bad boy'.
First saw this in 1976 in a 10th grade English class conducted by a visionary instructor and it altered my world irrevocably for the better. I still regard it as one of the four "every frame perfection", personal benchmark, early introduction to cinephile heaven films of my life. "Forget it, Jake, it's only Chinatown..."
An excellent depiction of the grim political history of LA's urban development (also an awesome film in other respects). Read Mike Davis' THE ECOLOGY OF FEAR for a greater appreciation of the shit Gittes gets himself embroiled in. www.foec.wordpress.com
My favorite thing about Chinatown will always be the fact that Nicholson, as Jake Gittes, is given ample time to walk around the world of this film in character. The mystery and suspense of this film makes it the legend it rightfully is.
Pair this with Blowout for perhaps two of the bleakest endings ever put to film. Loved it!
I don't see how anybody who has seen even a couple of tame TV detective films such as Muder She Wrote, could honestly say this is anything more than 'quite good', let alone one of the great American films. The final sequence is brilliant, granted, but the rest of the film's lacklustre delivery and probably Nicholson's weakest performance on film just doesn't cut it. One of the most overrated pieces of cinema around.
Perhaps the best film noir ever made. The darkest ending in Hollywood history.