Australian actor Eric Bana is Mark Chopper Read, a legendary criminal who wrote his best-selling autobiography, “From the Inside”, while serving a murder sentence in prison. Beginning in the blue-washed light of a maximum security Melbourne prison, Chopper establishes his dominance with the impulsive knifing of a fellow prisoner. Vacillating between violence and regret, Chopper apologies to his victim, but his good mate Jimmy (Simon Lyndon) later retaliates against. Finally released from prison, the heavily-tattooed Chopper has lost the better part of both of his ears, as well as the ability to make any distinction between his own made-up stories and reality. At a nightclub with his prostitute girlfriend, Tanya (Kate Beahan), he runs into Neville (Vince Colosimo), an old victim who had limped from the attack but now glitters in drug-funded gold. In his paranoia, Chopper connects rumors of a new contract on his life to Neville, Tanya, and his old mate Jimmy, to whom he pays a visit and discovers a man rotting from drug abuse. Alternately wickedly funny and grotesque, “Chopper” gives no easy answer to the question of Chopper Read’s motives, but his method is clear: "Ya bash people for no reason, just to get a name for yourself’.
Andrew Dominik (born 1967) is a New Zealand-born Australian film director and screenwriter. He has directed two films so far: Chopper and The Assassination of Jesse James by the Coward Robert Ford. —Wikipedia
I always thought Eric Bana was a boring asshole but this shit changed my opinion. A nut-twirling performance.
A truly unique (and often forgotten) film that paved the way for the likes of Bronson. Every time I revisit this little gem, I am in total awe of Bana's performance. It's an extremely textured and complex character working within a very gritty, colour-splashed world.
The more charismatic, funny and affable the sociopath, the harder it is to write him off as he does the despicable things that betray his true nature. "Chopper" Read goes beyond that, laughing at his peculiar celebrity. He gets the broader joke and so does Dominik's bracing debut film. Bana is unrecognizable and riveting in a part seemingly made for him. There are peaks to his talent that we have surely yet to see.
Frankly, I did not recognize Eric Bana at the beginning of this film. Big body, big head. But I saw his versatility as an actor. Good for him. Another good point for him to be back in shape!