Buckley is an unethical reporter who manipulates the news for his own benefit as much as he reports it. When he is in Paris to get a medal for being rescued from his alleged kidnappers, he finds that his boss, Stevens, at the Chicago Globe is going with his old gal Dolly. When Stevens learns that Dolly is staying with Buckley in Moscow, he fires Buckley. To get his job back, Buckley and Lefty stage a great news story about the shooting of the last Romanoff, but the plan backfires and they are now in line to be shot by the Commissar. —IMDb
George William Hill (April 25, 1895 – August 10, 1934) was an American film director and cinematographer.
He began his film career at age 13 as a stagehand with director D. W. Griffith. A cinematographer of silent films known for his skill in lighting female stars, he worked on a series of independently produced features for Mae Marsh and others in the postwar WWI years and was eventually recruited by the burgeoning major studios to be a director, beginning in 1920. Hill directed The Midnight Express (1924), which the New York Times noted was “…a far better production than one is apt to gather from the title…” and also that “…the story is unfolded with skill and imagination.”
Through the following years, Hill’s directing career began to gain serious traction and his assignments allowed him access to top stars such as Marion Davies and Jackie Coogan. Hill directed Lon Chaney’s biggest money-maker, Tell It to the Marines (1926). Four years later, Wallace Beery headed the… read more