Four extremely beautiful people do extremely horrible things to one another in Closer, Mike Nichols’ adaptation of Patrick Marber’s play that easily marks the Oscar-winning director’s best work in years. Anna (Julia Roberts) is a photographer who specializes in portraits of strangers; Dan (Jude Law) is an obituary writer struggling to become a novelist; Alice (Natalie Portman) is an American stripper freshly arrived in London after a bad relationship; and Larry (Clive Owen) is a dermatologist who finds love under the most unlikely of circumstances. When their paths cross it’s a dizzying supernova of emotions, as Nichols and Marber adroitly construct various scenes out of their lives that pair them again and again in various permutations of passion, heartbreak, anger, sadness, vengeance, pleading, deception, and most importantly, brutal honesty. –Mark Englehart
Mike Nichols (born Nov. 6, 1931, Berlin, Ger.) American motion-picture and stage director whose productions focus on the absurdities and horrors of modern life as revealed in personal relationships.
Nichols immigrated with his family to the United States at the age of seven. He attended the University of Chicago (1950–53), studied acting under Lee Strasberg in New York City, and then returned to Chicago, where, with Elaine May, Shelley Berman, Barbara Harris, and Paul Sills, he formed the comic improvisational group The Compass Players. Nichols and May then traveled nationwide with their social-satire routines, and from 1960 to 1961 they performed on Broadway in An Evening with Mike Nichols and Elaine May.
Nichols made his Broadway directorial debut with the highly praised Barefoot in the Park (1963) and went on to direct a series of commercially and critically successful Broadway plays, many written by Neil Simon. He won Tony awards for Barefoot in the Park, Luv (1964… read more
"That's the spirit. Thank you.Thank you for your honesty. Now fuck off and die you fucked up slag." An engaging, voyeuristic peep at (dis)harmonious passion and (un)synchronized eroticism between four people thrown together in a very unlikely way. The film gets close enough to overcome its ungainly plot and does a respectable job. Clive Owen carries every scene.
The beautiful thing about this movie is the words the language used which is both smart and cruel it’s amazing how sentences can hurt and destroy so much
This is not a film to watch if you are… read review