This is a movie within movie, which is almost recursive, i.e., the movie inside looks like director Ceylan’s previous movie, Kasaba. It is about the movie director, Muzaffer, going back to his hometown to make a movie using a cast of local people. While Muzaffer is around, his mother complains about simple health problems, his father is in a legal fight against the government for his land, his cousin gets out of his job to help Muzaffer who promises him to find a job in Istanbul, and his little cousin Ali tries to carry an egg in his pocket for 40 days so that he’ll get the watch of his dreams. In the meantime, they get to form the cast for Muzaffer’s movie as well. —IMDb
Nuri Bilge Ceylan (born 26 January 1959 in Istanbul) is a Turkish photographer and film director. He is married to the filmmaker, photographer, and actress Ebru Ceylan, his co-star in İklimler.
Ceylan learned photography at age 15, and developed an interest in film at 22. After graduating from Boğaziçi University with a BSc degree in Electrical and Electronics Engineering, he went on with his studies on cinema for two years at Mimar Sinan University.
Ceylan’s first short film Koza (Cocoon) was screened in the Cannes Film Festival in 1995. He received many awards with his debut feature Kasaba (Small Town). His third feature Uzak (Distant) received many awards including the Grand Jury Prize and the Best Actor Prize at Cannes, and was praised internationally. His 2006 film Iklimler (Climates) won the FIPRESCI Movie Critics’ Award at the 2006 Cannes Film Festival and received international praise by critics and experts. The film won 5 awards at the 2006 Antalya Golden Orange… read more
sometimes too good a photographer for his own sake, this time just sensitive and brilliant! very close to the kiarostami research of a close, empathetic look at rural regions and yet, as kiarostami, perfectly conscious of his cultural detachment as an obstacle to overcome with all of his cinematographic knowledge... simplicity achieved with artifice!
I don't think I've seen a more beautiful film this year. I love every second.
