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Synopsis

Finding herself suddenly orphaned, the expensively educated Flora Poste heads for the country to seek her “rights” and refuge with her cousins—the Starkadders—at Cold Comfort Farm. Worlds apart from the 1930s sophistication of Flora’s London life, the Starkadders appear like characters from a Thomas Hardy novel. Cousin Judith is burdened with unspecified grief, her son Seth ripples with virility, Amos longs to preach hellfire to the people, and Elfine wants to be a pre-Raphaelite. But above them all looms Great Aunt Ada Doom, who holds the family in her iron grip and who claims to have seen something “nasty” in the woodshed when she was very young. –Inbaseline

Director

Original

John Schlesinger

Schlesinger was born in London into a middle class Jewish family, the son of Winifred Henrietta (née Regensburg) and Bernard Edward Schlesinger, a physician. After Uppingham School and graduating from Balliol College, Oxford, he worked as an actor.

One of his earliest films, the British Transport Films’ documentary Terminus (1960), gained a Venice Film Festival Gold Lion and a British Academy Award. His first two fiction movies, A Kind of Loving (1962) and Billy Liar (1963) were set in the North of England. A Kind of Loving won the Golden Bear award at the 12th Berlin International Film Festival in 1962.

His third Darling (1965) described tartly the modern urban way of life in London and was one of the first films about ‘swinging London’. Schlesinger’s next movie was Far From the Madding Crowd (1967), an adaptation of Thomas Hardy’s popular novel. Schlesinger’s Midnight Cowboy (1969) was internationally acclaimed… read more

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Roscoe

29Dec10

A mostly amusing little fairy tale about the benevolence of the rich and the power of glamour to make people happy. There are worse movies, but there are better, too.

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