Collateral Damage

United States

2002

108 Min

Color

1.85:1

Spanish, English

Currently 1.6/5 Stars.
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DIR Andrew Davis, Nicholas Meyer

PROD David Foster, Steven Reuther

SCR David Griffiths, Peter Griffiths, Ronald Roose

CAST Arnold Schwarzenegger, Francesca Neri, Elias Koteas, Cliff Curtis, John Leguizamo, John Turturro

Andrew Davis (born November 21, 1946) is an American film director, producer and cinematographer, noted for the action films Code of Silence, The Fugitive, Chain Reaction, Collateral Damage and Under Siege.

Born on the south side of Chicago, Illinois, Davis has directed several films using Chicago as a backdrop. He is the son of actor Nathan Davis and Metta Davis and the brother of musician Richard “Richie” Peter Davis co-founder of the cover band Chicago Catz and Jo Ellen Friedman.

After attending Harand Camp of the Theater Arts and Bowen High School, Davis went on to study journalism at the University of Illinois at Urbana-Champaign. It was not long before his interest in civil rights and anti-war issues converged with his growing interest in film-making. Davis was mentored by acclaimed cinematographer Haskell Wexler with whom he worked on Medium Cool and began his film career as a cameraman on blaxploitation films like The Hit Man, Cool Breeze and The Slams in the 1970s… read more

Nicholas Meyer

Nicholas Meyer is probably best known for his involvement in the Star Trek films. According to his website, it was seeing his first movie The Beggar’s Opera (1953) that inspired him to become a filmmaker. He was fascinated by such literary classics as Jules Verne’s “20,000 Leagues Under the Sea” and made an ambitious 8mm film adaptation of “Around the World in 80 Days”. His start in the business included work as unit publicist for the Paramount hit Love Story (1970). From that experience he wrote “The Story of Love Story” using the income from that book to move to the West Coast. He parlayed his love for Sherlock Holmes mysteries into the novel, “The Severn-Per-Cent Solution” and adapted it for the screen: The Seven-Per-Cent Solution (1976). He received an Oscar nomination for this screenplay. His collaborations with producer Harve Bennett and later Leonard Nimoy resulted in the most popular and profitable entries in the Star Trek features canon. In addition to directing Star Trek… read more

Nicholas Meyer is probably best known for his involvement in the Star Trek films. According to his website, it was seeing his first movie The Beggar’s Opera (1953) that inspired him to become a filmmaker. He was fascinated by such literary classics as Jules Verne’s “20,000 Leagues Under the Sea” and made an ambitious 8mm film adaptation of “Around the World in 80 Days”. His start in the business included work as unit publicist for the Paramount hit Love Story (1970). From that experience he wrote “The Story of Love Story” using the income from that book to move to the West Coast. He parlayed his love for Sherlock Holmes mysteries into the novel, “The Severn-Per-Cent Solution” and adapted it for the screen: The Seven-Per-Cent Solution (1976). He received an Oscar nomination for this screenplay. His collaborations with producer Harve Bennett and later Leonard Nimoy resulted in the most popular and profitable entries in the Star Trek features canon. In addition to directing Star Trek: The Wrath of Khan (1982) he also wrote the shooting script for that film (uncredited). This was done in the span of two weeks using material from several other writers occasionally attached to the ever-evolving project. His script contributions to Star Trek IV: The Voyage Home (1986) involved the centre section of the film taking place in 1986 San Francisco. His brutally graphic nuclear war drama The Day After (1983) (TV) attained the highest ratings for a television movie. He has a keen sense of film history. This is evident in his films such as The Day After (1983) (TV) where at the end when the song “Waltzing Matilda” is played as it was in the classic post-nuclear drama On the Beach (1959). Though primarily a story-oriented director, his style incorporates busy visuals and flowing camera movement. Meyer also places a great deal of importance on the incidental music in his films, working closely with a composer to create themes to reinforce his vision of the story. He likes to maintain a sense of mystery in a story so that audiences will leave the film contemplating situations that are not fully explained. When approached by a film-goer and asked to explain such situations, Mr. Meyer’s characteristic response is “what do YOU think it means?” He can be heard on several DVD bonus tracks, including Star Trek: The Wrath of Khan (1982) and the special edition The Day the Earth Stood Still (1951) which was directed by fellow Trek alum Robert Wise. His commentaries are notably insightful and fascinating. —IMDb

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