This movie was made when I was a bit depressed which is nothing new, but also the main actor, Bob Cowan, happened to be depressed also and so we had a wonderful time working together. One of the actresses was also separated from her husband at this time and the movie solidifies into concrete the repressed desires of everyone who works with me, or more realistically, instead of concrete, the production becomes a frozen, brittle enema bag that slowly thaws and can only be appreciated along channels previously blocked by organic reality. —George Kuchar, canyoncinema.com
George Kuchar (born August 31, 1942, New York City) is an American film director, known for his “low-fi” aesthetic, playful use of no-talent actors, plotless plots, and themeless themes. Trained as a commercial artist in a vocational high school, the School of Industrial Art, he drew weather maps for a local news show. During this period, he and his twin brother Mike Kuchar were making 8mm movies which were showcased in the then-burgeoning underground film scene alongside films by Andy Warhol, Kenneth Anger, and Stan Brakhage.
After being laid off from a commercial art job in New York City, Kuchar was offered a teaching job in the film department of the San Francisco Art Institute, where he has taught since 1971. It was in San Francisco that he became involved with underground comics via his neighbors Art Spiegelman and Bill Griffith. They both wound up in his movies and George wound up in their publications.
Planet Kuchar, a biopic of the life of George Kuchar… read more