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Italy

1970

118 Min

Color

2.35:1

Italian

Currently 3.8/5 Stars.
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CAST Franco Nero, Tomas Milian, Jack Palance, Fernando Rey, Iris Berben, Karin Schubert

Sergio Corbucci (December 6, 1927 – December 1, 1990) was an Italian film director. He is best known for his very violent yet intelligent spaghetti westerns. He was for a long time considered an exploitation director, but has now attained a vast following and is easily compared to Sam Peckinpah or Sergio Leone.

He is the older brother of screenwriter and film director Bruno Corbucci.

He started his career by directing mostly low-budget sword and sandal movies. His first commercial success was with the cult spaghetti western Django, starring Franco Nero, the leading man in many of his movies. After Django, Corbucci made many other spaghetti westerns, which made him the most successful Italian western director after Sergio Leone and one of Italy’s most productive directors. His most famous of these pictures was The Great Silence, a dark and gruesome western starring a mute action hero and a psychopathic bad guy. The film was banned in some countries… read more

He is the older brother of screenwriter and film director Bruno Corbucci.

Corbucci’s westerns were dark and brutal, with the characters portrayed as sadistic anti heroes. His films featured very high body counts, scenes of mutilation against the main character (in Django an ear is cut off, in Johnny Oro, Indians are killed in the hundreds and in The Hellbenders, all main characters are brutally shot down). Django especially is considered to have set a new level for violence in westerns.

Besides the violence, his spaghetti westerns are notable for their surrealistic and apocalyptic art direction, a sense of black humour, and social criticism from a left-wing perspective. Corbucci was actually a communist. His films reflected this ideology.

In the 1970s and 1980s Corbucci mostly directed comedies, often starring Adriano Celentano. Many of these comedies were huge successes at the Italian box-office, although they were barely released abroad. His movies were rarely taken seriously by contemporary critics and he was considered an exploitation director, but Corbucci has managed to attain a cult reputation.

He died in Rome in 1990. —Wikipedia

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Neither/Nor

21Dec10

Corbucci at his most excessive, essentially remaking his own Il Mercenario with less successful results, however entertaining. The opening sequence is one of the best that the EuroWestern genre offers, though, and plays more against Leone's influence than with it.

Th MZA

1Nov10

Corbucci steals straight outta Leone's playbook -- familiar-sounding Morricone tune, chaotic neutral drifter, dramatic foreground/background juxtaposing, macho close-ups, hints of psychosexual dysfunction, alternate cooperation & backstabbing as comic relief -- without grasping the elusive Leone coolness. The Tuco/Goldie stand-ins' one-liners lack snap; the escapes lack danger. Jack Palance's bird is a consolation.

Silenzio

16May10

Corbucci seems to have a bigger budget here than in his previous westerns and he does not waste it-it is one of the most entertaining Italian westerns partly due to the great cast. Milian steals the film but Nero is also a lot of fun, Fernando rey adds class to the film and Palance is actually quite demented. The theme song by Morricone is in my opinion one of the catchiest themes he ever did. I personally think only The Great Silence is a better Corbucci film.