Watch unlimited films online for $6.99.
Try MUBI for FREE.
 

Cousin

Australia

1998

4 Min
Black and White
English
  • Currently 3.9/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5

   |   

DIR Adam Elliot

PROD Adam Elliot

SCR Adam Elliot

CAST William McInnes

ED Adam Elliot

ANIM Adam Elliot

Synopsis

Made in 1997, Cousin was Elliot’s first professional film funded by the Australian Film Commission, SBS Independent and Film Victoria. As with Uncle, Elliot chose a minimalist approach and a spare narration to drive a very simple remembrance of a childhood relationship he had with his cousin who has Cerebral Palsy. Like Uncle, Cousin has a greyscale palette but was shot on colour stock. This technique allows the use of spot colour to heighten the significance of specific objects in the film. This device is common to all of Elliot’s work, which he sees as a homage to the spot red effect that Steven Spielberg used in Schindler’s List.

This film was shot in a small storage unit in the outer suburb of Moorabin in Melbourne at a facility owned by his father. This time Elliot employed AVID digital equipment to edit the footage shot on 16mm film. Cousin has been shown at many film festivals and won Elliot his second AFI Award for Best Australian animation. Narrated again by William McInnes, the budget for Cousin was $42,000 AUD. —Wikipedia

Director

Original

Adam Elliot

Adam Elliot, (born Jan 2nd 1972, Berwick, Australia), is an independent stop-motion animation writer and director based in Melbourne, Australia. His five films have collectively participated in over six-hundred film festivals and have received over one hundred awards, including an Oscar for Harvie Krumpet. Elliot calls himself an auteur filmmaker and each of his films have a bittersweet nature to them. Based loosely on his family and friends, Elliot calls each of his works a Clayography – clay animated biographies – a portmanteau term of the words clay and biography. Utilising a large team of animators and modelmakers each film takes several years to complete. He is noted for his use of traditional ‘in-camera’ techniques, which means every prop set and character is a ‘real’ miniature handcrafted object. Elliot does not use digital additions or computer generated imagery to enhance his visual aesthetic. His company, ADAM ELLIOT PICTURES, produce the films and Elliot’s work practices… read more

Wall

Displaying 1 wall posts.
Picture of Max

Max

15Aug10

Watch it here: http://www.youtube.com/watch?v=M6njuCt5-U4

Related Films