Rusty Parker, a red-headed leggy dancer at Danny McGuire’s Night Club in Brooklyn, wants to be a successful Broadway star. She enters a contest to be a ‘Cover Girl’ as a stepping-stone in her career. She reminds the publisher, John Coudair, of his lost love, showgirl Maribelle Hicks. He was engaged to Maribelle, although his wealthy society mother made fun of her. Maribelle left John at the altar when she saw the piano at her wedding. It reminded her of the piano-player she truly loved. Rusty is Maribelle’s granddaughter and there are musical sequences with Maribelle dancing to songs from the beginning of the 20th century. Rusty lands on the cover of her grandmother’s former fiancé’s magazine (as a bride). She is pursued by Coudair’s pal, the wealthy theatrical producer, Noel Wheaton. He produces a lavish musical to star Rusty, surrounded by real cover girls of the mid 1940’s. Rusty runs down a huge spiral into the arms of dozens of men who seem clumsy next to her ethereal dancing. But her success threatens Danny McGuire. He expressed his distress that his girlfriend will find success without him in Kelly’s famous dance with himself, ‘Alter Ego’. He and his sidekick, Genius, leave New York and entertain soldiers fighting in World War II. Rusty agrees to marry Noel, dazzled by success, security, and his power and money. But she drinks and loses weight because her heart belongs to Danny. She receives a symbolic pearl with great power and tells Coudair and Wheaton that she must spend her life with the man she loves. —IMDb
Director Charles Vidor came to prominence at the end of the silent film era. Born in Budapest, Hungary, in 1900, he worked in motion pictures most of his life, including at least three decades in Hollywood.
Vidor was regarded as a solid craftsman who made the most of what he had to work with, good or bad. With “Cover Girl” (1944), he let Gene Kelly choreograph his own dances. In the Chopin biopic “A Song to Remember” (1945), he lead Cornel Wilde to an Oscar nomination. He’s perhaps most famous for directing “Gilda” (1946) and is credited with helping to make stars out of Rita Hayworth and Glenn Ford.
Among his other film successes were “The Bridge” (1929), “The Loves of Carmen” (1948), “Love Me or Leave Me” (1955), “The Swan” (1956), “The Joker Is Wild” (1957) and “A Farewell to Arms” (1957). Vidor served as a Cannes Film Festival jurist in 1958.
In 1959, Vidor was in Vienna directing “A Magic Flame,” a film based on the life of Franz Liszt. Late one evening in… read more
Unavoidable campy at points, Cover Girl is nonetheless a wonderfully charming slice of WWII-era Americana, with surprisingly robust characters and a lovely color palette. Feel-good film at its finest. And Gene Kelly has a danceoff with a hallucination of himself, which is worth the price of admission alone.