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Crime In The Streets

United States

1956

91 Min
Black and White
1.66:1
English
  • Currently 3.2/5 Stars.
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DIR Don Siegel

PROD Vincent M. Fennelly

SCR Reginald Rose

DP Sam Leavitt

CAST James Whitmore, Sal Mineo, Mark Rydell, Virginia Gregg, Peter J. Votrian, Will Kuluva, Malcolm Atterbury, Denise Alexander, Dan Terranova, Peter Miller, Steve Rowland, John Cassavetes

ED Richard C. Meyer

MUSIC Franz Waxman

Synopsis

Siegel’s intelligent & claustrophobic depiction of amoral gang behaviour was completed just after his seminal Invasion of the Body Snatchers & holds some of the same cool hysteria. John Cassavetes provides a brilliant portrayal of an alienated youth determined to commit murder. Made in the wake of Blackboard Jungle, & based on Reginald Rose’s searing teleplay, it features Mark Rydell & Sal Mineo as fellow gang members, as well as a dynamically expressive score by Franz Waxman. —Melbourne Cinematheque

Director

Original

Don Siegel

Donald Siegel (October 26, 1912 – April 20, 1991) was an influential American film director and producer. His name appeared in the credits of his films as both Don Siegel and Donald Siegel.

Born in Chicago, he graduated from Jesus College, Cambridge in England, and found work in Warner Bros. film library, rising to become head of the Montage Department, where he directed thousands of montages, including the opening montage for Casablanca. In 1945 two shorts he directed, Hitler Lives? and A Star in the Night, won Academy Awards, which launched his career as a feature director.

He directed whatever material came his way, often transcending the limitations of budget and script to produce interesting and adept works. He directed two episodes of The Twilight Zone, “The Self-Improvement of Salvadore Ross” and “Uncle Simon”. He worked with Elvis Presley and Dolores del Río in Flaming Star (1960), and with Steve McQueen in Hell… read more

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mjgildea

28Sep11

Crime in the Streets starts off with a hell of a title sequence then challenges you not to turn it off through the sheer unlikeability of John Cassavettes' character. More of a juvenile delinquency movie than a film noir, I never really found a reason to like it.

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Christopher Smith

18Jun11

Despite Don Siegel's solid direction, the moody black and white cinematography, and an intense early performance by John Cassavetes, it all adds up to a rather shrill juvenile delinquent melodrama due to a script full of ham-fisted messages and characters that are thin caricatures. Even Franz Waxman's boisterous jazz score is overbearing. A surprisingly annoying disappointment.

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