Ari
29Feb12
Yes, that Duplass "zoom" bugs the shit out of me. Completely pointless.
Not bad. Still don't like the cinematography of the Duplass brothers' films, but having talented actors do the mumblecore thing here worked for me much better than having amateurs attempt acting. I love John C. Reilly and Marisa Tomei, so that helps.
I suppose that could be an explanation, but like it or not they're becoming more and more mainstream, so they should probably put a stop to their random-zooming ways.
I really liked the idea of a mumblecore film with Hollywood-level production values and A list actors. There were occasional moments that lagged, but the characters and performances will stay with me for quite a while.
c.reilly and tomei give a naturally humorous feel to the story, jonah hill sweats balls just to stand near them, playing someone waaaay different from what he's shown so far and the whole film suffers for it. either miscast or the character needed some rewriting adapting it to hill's potential. the story was probably funny and tense enough on paper so there's plenty of material to be enjoyed on a first watch.
I'm really not a fan of the Duplass brothers' mumblecore style, but this film - some annoying camerawork aside - is easily among their best work, thanks to the well-drawn, perfectly cast characters. It does a clever job of balancing its disparate tones, from heartfelt romance to uncomfortable comedy, but then undercuts itself with an ending that's disappointingly soft.
Genial el minimalismo de la película, sobre todo en la forma. Aunque a veces llama demasiado la atención. "Mírenme, soy una película totalmente natural y realista"; especialmente con el uso y abuso del zoom pero en general es muy buena historia y el cast está bien acertado. Aún no veo otra película del "mumblecore" pero debo aceptar que estoy intrigado. Recomendable.
I liked how I wasn't forced to watch Jonah Hill do the same acting parlor trick but that doesn't make him likable. The rest of the cast was decent and Cyrus had a few legitimately funny moments. You're really not missing anything here...
The performances were uniformly some of the year's best. On the other hand, were you to rank the year's top 50 scripts, I'm not sure it would sneak into the bottom five. The ending was emphatically lame. Sounds like I'm kidding, but final 10 minutes really would have been better had John C. Reilly kicked Jonah Hill down those stairs.
Couldn't agree with you more about the ending to Cyrus. While the performances were great, an kept me watching. The script was just okay, and honestly I've seen it before. As for the ending.. sadly formulaic, and almost felt tacked on just to give it a happy ending.
John C. Reilly always bothers me a little, but at least in a funny way. His pairing with Tomei (which is most of the time the pretty-but-weird-girl-unnoticed-by-the-big-shots) turns out to be both weird and charming, which will probably put this film in a lot of indie lists of movies about relationships(Jonah Hill and Catherine Keener are also here, so that was already guaranteed from the start).
John C. Reilly is really the main reason to see this movie, but I was pleasantly surprised with Jonah Hill, too. It's nice to see him play someone who is not only genuine, but shows emotion that can be taken seriously.
I can't remember the last time I actually cared as much on whether or not a couple on screen would work out. Flawed, uncomfortable in his own skin, and yet fully behind his convictions, John C. Reilly gives possibly the greatest performance of his career (probably alongside 'Magnolia').
This movie was far better than The Kids Are Allright..and that received an Oscar nomination.
Part 1: If I have to qualify this film as a style, is one of those movies where it presents a daily problem to be solved. But as the story goes, you realize many things, to leave an impression (at least to me) that a small project with a simple story can become a highly respectable film so to speak.
@JOHN Touching and understated? This was terrible. @DDCRAVER hardly performances of merit and effort does not equate to movies worth watching or even writing about. @TYLER AIKENS The heart is in a jar, the charm a cheap necklace you don't mind losing down a sewer grate. Where are the critics? I guess anything passes for cinema these days. The only reason this got made is the Scott Bros. were duped into producing it.