The setting is the Riviera in autumn. A retired English businessman has just been through heart surgery but it has, apparently, done little to relieve his constant pain or improve his long-term survival prospects. During his recuperation Caroline, his adult daughter, comes from Paris to be with him and her mother, Miche, and she and her father begin to communicate as adults for the first time. —IMDb
One of France’s premiere directors, screenwriters, and producers, Bertrand Tavernier is renowned for making dramas encompassing themes as diverse as familial relationships, World War I, and contemporary social ills. Regardless of the subjects they explore, Tavernier lends his films great introspection and humanity, something that has established him as one of the French cinema’s more progressive and compassionate figures.
Born in Lyon on April 25, 1941, Tavernier grew up with a love of film and wanted to be a director from the age of 13. He was particularly influenced by such American directors as Joseph Losey, John Ford, Samuel Fuller, and William Wellman, and – during a spell at the Sorbonne, where he studied law – he became involved in the film industry as an assistant director for Jean-Pierre Melville. Tavernier became then a film critic and worked for prestigious publications as Positif and Cahiers du Cinema. His first feature film, L’Horloger de St. Paul (1974), received international… read more