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Days of Being Wild

A Fei zheng chuan

Hong Kong

1990

94 Min
Color
1.85:1
Cantonese, Shanghainese, Tagalog, English, Mandarin
  • Currently 4.0/5 Stars.
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DIR Wong Kar-wai

EXEC Alan Tang

PROD Rover Tang

SCR Wong Kar-wai, Jeffrey Lau

DP Christopher Doyle

CAST Leslie Cheung, Maggie Cheung, Andy Lau, Carina Lau, Rebecca Pan, Jacky Cheung, Tony Leung Chiu Wai

ED Kai Kit-Wai, Patrick Tam, William Chang

PROD DES William Chang

Berlinale (Forum), Sundance (New Hong Kong Cinema)

Synopsis

Set in 1960, the film centers on the young, boyishly handsome Yuddy, who learns from the drunken ex-prostitute who raised him that she is not his real mother. Hoping to hold onto him, she refuses to divulge the name of his real birth mother. The revelation shakes Yuddy to his very core, unleashing a cascade of conflicting emotions. Two women have the bad luck to fall for Yuddy; one a quiet lass named Su Lizhen who works at a sports arena, the other a glitzy showgirl named Mimi. Yuddy passively lets the two compete for him, unable or unwilling to make a choice. As Lizhen slowly confides her frustration to a cop named Tide, he falls for her. The same is true for Yuddy’s friend Zeb, who falls for Mimi. Later, Yuddy learns of his birth mother’s whereabouts and heads out to the Philippines. —IMDb

Director

Original

Wong Kar-wai

Born in Shanghai, he moved to Hong Kong with his parents at the age of five. Coming from the Mainland and speaking only Mandarin and Shanghainese, he had a difficult period of adjustment to Cantonese speaking Hong Kong, spending hours in movie theatres with his mother. He made his directing debut in 1988 with As Tears Go By, produced by Alan Tang. It was a crime melodrama of the kind then hugely popular, and with heavy borrowings from Martin Scorsese’s Mean Streets (1974), but already displayed one of his principal trademarks in its atmospheric and sometimes expressionistic color palette. It is his only box office hit to date. Wong went on to direct several more feature films in the 1990s, among these were Chungking Express (1994), Fallen Angels (1995), Ashes of Time (1994). His first major international recognition was at the 1997 Cannes Film Festival where he won the Best Director prize for Happy Together (1997). The filming of In the Mood for Love (2000) had to be shifted from Beijing… read more

Wall

Displaying 4 of 25 wall posts.
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le tigre

13Apr12

WKW's twist on a familiar plot is refreshed with superb cinematography and direction that allows for a few very memorable scenes. It's almost romantic indifference, however, left me feeling somewhat uninvolved.

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Blake Barrington Ellis

26Mar12

Madly in love with Maggie and Leslie Cheung right now.

  • Picture of lukewarneke

    lukewarneke

    19Apr12

    they're great and all.....but Carina Lau.....................................................

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lukewarneke

27Feb12

Hot Damn!

Picture of Jye Sherwell

Jye Sherwell

31Dec11

Some of it is "meh", however it picks up in the latter scenes, and features some absolutely gorgeous cinematography. That tracking shot up the stairs was a pleasant and totally welcome surprise. Also the lead was very handsome. ;)

micah van hove likes this

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Reviews

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Days of Being Wild

By RoseDar​ling on October 8, 2011

Wong Kar-Wai is one of the greatest- if not the greatest- modern directors. Days of Being Wild is, in some ways, an amalgam of what was to come from him in subsequent years: characters with…  read review

Free Verse

By Mike Spence on August 15, 2011

“The past and the future are the two great bournes of human emotion, the two great homes of the human days, the two eternities. They are both conclusive, final. Their beauty is the beauty of the goal…  read review

DAYS OF BEING WILD (Wong Kar Wai, 1990)

By WhatsUp​Will on May 14, 2011

Oh, it is quite difficult to explain why I love this film so. It’s probably the only film I’ve seen from Wong’s filmography that I openly weeped at the end. It’s such a viscerally heartbreaking piece…  read review

Days of Being Wild

By asuraf on July 10, 2010
If “As Tears Go By” was Wong Kar-Wai’s way into film-making via studio imposed populist melodrama, than “Days of Being Wild” was his inner auteurist shaking off the guilt. Filled with soon-to-be-textbook…

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Anything Like It?

5 posts by 4 people 7 months ago