Joe Clay is a top-notch public relations man. Anything a client wants Joe can arrange for them, whether it be dancing girls or an article in a prominent magazine. Part of the job however is drinking and Joe’s ability to consume alcohol seems boundless. When he meets the very pretty Kirsten Arnasen, she prefers chocolate to alcohol but Joe has a solution to that in the form of a Brandy Alexander (made up of brandy and creme de cocoa). They eventually marry but their love is insufficient to prevent them from the downward spiral that alcohol brings to them. They try desperately to break the habit but continually relapse until only one of them manages to break free. –IMDb
Blake Edwards’ stepfather’s father J. Gordon Edwards was a silent screen director, and his stepfather Jack McEdwards was a stage director and movie production manager. Blake acted in a number films, beginning with Ten Gentlemen from West Point (1942) and wrote a number of others, beginning with Panhandle (1948) and including six for director Richard Quine. He created the popular TV series “Peter Gunn” (1958), “Mr. Lucky” (1959) and “Dante” (1960). He directed a diverse body of films, from comedies to dramas to war films to westerns, including such pictures as Operation Petticoat (1959), Breakfast at Tiffany’s (1961), Experiment in Terror (1962), Days of Wine and Roses (1962), The Pink Panther (1963) and A Shot in the Dark (1964). After The Great Race (1965) he began fighting with studios. In England he surfaced again with The Return of the Pink Panther (1975), then went back to Hollywood and a real hit, 10 (1979). Victor Victoria (1982) won him French and Italian awards for Best Foreign… read more
Majestic! The acting is simply sublime. The cinematography involves a marvelous play of light/shadows throughout, defining the film together with a notably harmonious relationship between the pace, mood and atmosphere of the film, creating all in all an intense experience that gives the necessary depth and power to an already masterfully-written script. The ending left me speechless...
Amiable in the beginning, but its forced characterizations and awkward tonal mishmash waste what could've been a deeply felt portrayal of alcoholism.
"Blake Edwards, the veteran writer-director whose films include the Pink Panther comedies, Breakfast at Tiffany's, Days of Wine and Roses