When the body of a truck driver is found trampled in his truck, the burnt-out detective Dwight Faraday is assigned for the bizarre case. He arrives to the crime scene in a parking area with Officer Jacob Reed and their investigation discloses that the victim had left a tavern with a gorgeous woman and apparently had been trampled by a heavy animal in the truck cabin. Later, two other bodies of men arrive in the morgue in the same conditions, and the coroner Dana notes that all of them had erection in the moment of death, and Dwight notes hooves in the body. Dana investigates further and finds deer footprints and hair in the corpses. When Dwight and Reed talks to an Indian descendent in a casino, they unravel a Pohancan legend about a deer woman, half woman but having deer hooves and trampling men after seducing them. Without any other lead, they begin to believe that every legend is based on facts. —IMDb.com
With as much monkeying-around as his movies frequently display, it should come as no surprise to John Landis fans that one of his earliest inspirations as a filmmaker was the original 1933 version of King Kong. The man behind such carefree comedies as Animal House, Landis has also helped to blur the lines between comedy and horror with such efforts as An American Werewolf in London and Innocent Blood, in addition to crafting such fine-tined social satire as Trading Places.
Born in Chicago in August of 1950, Landis originally worked in the mailroom at Fox and later as a stuntman before making a name for himself as a director. Landis was in his early twenties when he decided it was time to make a feature, and after a brief flirtation with the idea of crafting an underground porn film, the aspiring director raised the funding needed for his directorial debut from family and friends. The result of his tireless efforts was the relentlessly juvenile but infectiously silly Schlock… read more