The story is centered on a microcosm of a post-apocalyptic society where food is so rare it’s invaluable and is used as currency. The film locates itself at an apartment building with a delicatessen on the ground floor. The owner of the eatery also owns the apartment building and he is in need of a new maintenance man since the original “mysteriously” disappeared. A former clown applies for the job and the butcher’s intent is to have him work for a little while and then serve him to quirky tenants who pay the butcher in, of course, grain. The clown and butcher’s daughter fall in love and she tries to foil her father’s plans by contacting the “troglodytes”, a grain eating sub-group of society who live entirely underground. The “trogs” are possibly the most sensible of the lot, as they see food as food and not money. –IMDb
Several years before he helmed the fourth Alien film, Jean-Pierre Jeunet, together with fellow French cinema wunderkind/creative partner Marc Caro, made his mark on international cinema with two of the most distinctive films of the 1990s. Collaborating throughout the 1980s on ads, music videos, and such shorts as Le Manège (1980), Jeunet and Caro honed their signature visual flair and darkly comic sensibility; Jeunet’s solo effort Foutaises (1989) won a César for Best Short Film. Bringing their unique style to feature films in the 1990s, Jeunet and Caro’s debut work Delicatessen (1991) became an international art film sensation. Hailed for its grotesquely comic and oddly touching tale of post-nuclear survival amid a group of eccentrics in an ominous, almost palpably clammy yet cartoon-like “retro future” setting, Delicatessen attracted an ardent following and earned several festival prizes and two Césars. Flush from Delicatessen’s success, Jeunet and Caro finally made a feature they’d… read more
The artist and comic book designer, Marc Caro switched to filmmaking in the early 1980s and formed a writing and directing partnership with Jean-Pierre Jeunet which has produced two visually striking, complex and somewhat impenetrable features: “Delicatessen” (1991), a fantasy about cannibalism, and “La cite des enfants perdu/The City of Lost Children” (1995), a phantasmagoric fairy tale. Both were greatly enhanced by the visual and sound effects, production and costume designs and score. Caro and Jeunet divide the directing responsibilities with the former handling the artistic matters and the latter guiding the actors.
Jeunet and Caro initially formed their partnership after meeting at an animation film festival. Working together, they created a number of short films, music videos and TV commercials in which they developed their particularly surreal style. Their short, “Le Bunker de la derniere rafale/The Last Blast Bunker” (1980), traced the growing mental deterioration of… read more
My rate: 55% - Interesting concept of morality tales of a dystopian world with distinct atmosphere. It was interesting initially but then the experience got dreary to the end. I adored the visual style but I didn't like the way the story was brought out. But I guess this film's surrealistic imagination is the one that brings.
Miles better than any of Jeunet's other work. A tender little love story wrapped into a bleakly funny, imaginative post-apocalyptic world. Amélie's color-vomiting is traded for a nice sepia hue, and there's little-to-no style-for-style's-sake madness.
I think this picture is great. I just loved every part of it. It’s very interesting to watch and just look like with the all the images that are very different to another picture that is not made from… read review