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Synopsis

When her husband John has a heart attack while out in a rowboat on the lake, Louise Haloran throws his body overboard and later tells the family that he has left on an urgent business trip. Her main concern is that she can only inherit a part of the family fortune if if her husband is alive. The Halorans are a strange family, still grieving over the death of the youngest daughter Kathleen who drowned in a pond when she was just a child. They hold an annual ceremony of remembrance every year on the anniversary of her death. This year however, someone is wielding an ax intent on murder. —IMDb

Director

Original

Francis Ford Coppola

He was born in 1939 in Detroit, USA, but he grew up in a New York suburb in a creative, supportive Italian-American family. His father was a composer and musician Carmine Coppola. His mother had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as soundman, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola’s first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of This Property is Condemned, by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning?, and Patton, the film for which Coppola won a Best Adapted Screenplay Academy Award. In 1966, Coppola’s 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George… read more

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Ace Craven

27Apr13

"Pedal faster Louise, if I die there's nothing in it for you." | "Now what do I do? I've got to get rid of him." Few are brave enough to hit the ground running with such large emotions. What a morbid tale. I have a growing fondess for female leads who narrate their story by thinking out loud. "I wonder if he'll rott under water." This type of thing is going to come back...

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Mike Thorn

11Sep12

This certainly isn't Coppola's most coherent or cohesive work, but it's an intelligently shaped genre piece overall. The violent scenes present moments of inspired direction.

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Konrad Szlendak

16Mar12

Ufff... I should get a medal for going through this gibberish :)

DT likes this

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oldfilmsflicker

27Jul11

"The mood around this place isn't good for her. Especially for an American girl. You can tell she was raised on promises." Brilliant.

Ace Craven likes this

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