Departures

Okuribito

Japan

2008

130 Min

Color

1.85:1

Japanese

Currently 3.8/5 Stars.
1
2
3
4
5

PROD Toshiaki Nakazawa, Ichirô Nobukuni, Toshihisa Watai

CAST Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kimiko Yo

With the breakup of his Tokyo orchestra, Daigo, a young cellist, decides to return with his adoring wife Mika to his hometown in Japan’s far north. Searching for work, he responds to a cryptic classified ad for work in “Departures” only to find out that the position is in the field of “encoffining,” the ritual preparation of a corpse before it is placed in a casket for cremation. Daigo gradually takes to the work and finds he has a real talent, but he is too ashamed to tell Mika, leaving him torn between his true calling and his marriage.

Winner of the Academy Award® for best foreign language film this year, Departures achieves a pleasingly droll blend of screwball-like humor with a moving story about reconciliation, acceptance, and finding one’s place in the world, enhanced by a richly orchestrated score. By taking us into the uniquely Japanese tradition of the “Nokanshi”-who washes, dresses, and grooms the dead body in front of the deceased’s family, helping the living to bid farewell and the dead to move on to the next world-director Yojiro Takita also offers a refreshingly light and life-affirming vision of how we can reconcile ourselves with death and dying. —Tribeca Film Festival, http://www.tribecafilm.com/filmguide/Departures.html

Director

Yôjirô Takita

Yōjirō Takita (滝田洋二郎 Takita Yōjirō, born December 4, 1955 in Takaoka, Toyama, Japan), is a Japanese filmmaker. Yōjirō Takita entered the film industry through Mukai Productions, where he served as an assistant director. Takita first came to prominence with the long-running, popular light-comic pink film Molester’s Train (痴漢電車 Chikan densha) series, started by Shin’ya Yamamoto in 1975, and which Takita began directing in 1982 at Shintōhō. Later, for the Nikkatsu studio, Takita filmed similar Molester’s films as part of that studio’s Roman Porno line. Molester’s School Infirmary (1984), Molester’s Tour Bus (1985) and Molester’s Delivery Service (1986) are some of these titles.Takita’s 1986 mainstream comedy, No More Comic Magazines! received critical praise, and he has produced several popular films since then. Yomiuri Shimbun writes that Takita’s films usually have, “a warm tenderness, reflecting his bright and upbeat personality.”

His 2008 film Departures (おくりびと Okuribito… read more

Wall

Displaying 4 of 37 wall posts.

see all

Pinar Akan

1Apr12

There are some scenes where the appeal of the story is erased by the fake, the film almost pushes itself to be exaggeratedly touching. The storyline regardless of other aspects is interesting and unique. I admired the Japanese culture's understanding of respect once again.

Carbish

5Jan12

It all started so well, before this apocalyptic scene in the middle of nowhere with the rain of cross-fadings. And the music, why, why ! Very interesting to see though, at least the beginning, if you have an already established culture of Japanese movies.

asuraf

26Dec11

Instant Japanese classic, deeply moving and astonishingly beautiful, with a reverence and respect for death that is both utterly Japanese and universal. An Oscar win for Best Foreign Language Film only confirms it's unique appeal for both high laughs and low, deep sorrow.