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Devils on the Doorstep

Guizi lai le

China

2000

139 Min
Color, Black and White
1.85:1
English, Japanese, Mandarin
  • Currently 4.2/5 Stars.
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DIR Jiang Wen

EXEC Dong Ping, Zheng Quangang

PROD Jiang Wen

SCR Shu Ping, Jiang Wen, You Fengwei, Li Haiying, Liu Xing, Shi Jianquan

DP Gu Changwei

CAST Jiang Wen, Jiang Hongbo, Teruyuki Kagawa, Yuan Ding, Cong Zhijun, Kenya Sawada, Chen Qiang, Xi Zi, Li Haibin

ED Folmer Wiesinger, Zhang Yifan

PROD DES Shi Jianquan, Tang Shiyun

MUSIC Cui Jian, Li Haiying, Liu Xing

SOUND Wu Ling

Cannes (In Competition): Grand Prix, Foreign Cineaste of the Year

Director

Original

Jiang Wen

Jiang Wen (born January 5, 1963) is a Chinese film actor and director. Born in Tangshan, Hebei province into an army family, he shifted to Beijing at the age of 6. In 1980, Wen entered China’s foremost acting school, the Central Academy of Drama, graduating in 1984. That same year he started acting both on the stage (with the China Youth Theater) and in films.

After appearing in many television serials and films, Jiang became renowned in China for his starring role in the 1992 TV series Beijingers in New York, which made him one of the best-loved actors of his generation. In addition to these he also starred in Hibiscus Town (1984, directed by Xie Jin), Black Snow (1990, directed by Xie Fei), The Emperor’s Shadow (1996, directed by Zhou Xiaowen) and The Soong Sisters (1997). Other than Red Sorghum, Jiang also collaborated with Zhang Yimou for his 1997 film Keep Cool.

Jiang wrote and directed his first film in 1994, In the Heat of the Sun, adapted from a novel by Wang Shuo… read more

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Displaying 3 wall posts.

Paolo Simeone

12Apr12

Gesù non si è fermato a Nanking.

Manuel Bernardo

21Jun11

An unsettling gem from East Asia's thriving film industry, where Wen Jiang provides an uncompromising view on the effects of the Sino-Japanese war. In a surprising turn for a Chinese film, Devils doesn't care for any restraints or mandates (it was obviously banned by the ever baffled censorship) and gives us a picture which sways between mirthful warmth and gut-wrenching horror, never forgoing its satirical vein.

danliofer

2Jan11

How gracefully can Chinese and Japanese cultures mingle in a movie full of fun and cruelty.

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Devils at the Doorstep

4 posts by 4 people almost 3 years ago