Filmed in Los Angeles, Dialogues employs Land’s characteristic sense of humour. He uses word play alongside different filmic styles to reference and parody the structuralist films of former mentor Stan Brackage and peers such as Kenneth Anger, renowned figureheads of experimental film history. Taking the form of short scenes or vignettes, his seemingly random collection of ‘dialogues’ is based on his own life; in particular, the period in the mid-1980s when he returned to Los Angeles from Japan, after spending a year in Tokyo, Fukuoka and Okinawa. Just over two-hours long, this collection of fragments takes the form of a series of filmic anecdotes in which two of the leading men are obviously avatars of the young Owen Land. Peppered liberally with bizarre and comic sexual encounters, these episodes look at the artist’s relationships with women and the sexual revolution of the 1960s alongside themes of reincarnation, art criticism and Tantrism. References to Hollywood films such as The Graduate play out through an ironic use of Platonic dialogue, and the film also reflects Land’s ongoing study of folklore, myth, theology and history. In Dialogues, Land portrays himself as a modern trickster, swinging along to a fantastic 1960s/1970s soundtrack of advanced and popular music of this time. —Biennale Sydney
George Landow (1944 – June 8, 2011), also known as Owen Land, was a painter, writer, photographer, and experimental filmmaker. He has also worked under the pen names Orphan Morphan and Apollo Jize.
According to film historian Mark Webber, Land made some of his first films as a teenager, and his later films, made mostly during the 1960s and 1970s, are some of the first examples of the “structural film” movement. Land’s films usually involve word play, and have been described by Webber as having humor & wit that separates his films from the “boring” world of avant-garde cinema.
His work is also known to parody the experimental & “structural film” movement, as featured in his 1975 film Wide Angle Saxon. His style of filmmaking is also inspired by Bertolt Brecht, educational films, advertising, and television, and employs devices used by such in his films to destroy any sense of “reality”, as exhibited in What’s Wrong With this Picture 1 and Remedial Reading Comprehension… read more