Art Vandelay
23Apr12
The film is concurrently grim and mordant, like all of Buñuel's masterworks.
While superficially one of Buñuel's most lucid and orderly works, Diary Of A Chambermaid is regardlessly one of his most beguiling, inexplicable, and unsettling pictures, containing some of his most indelible and erotically-charged imagery––the snails slithering over Claire's corpse; Jeanne Moreau's lovely legs, footwear, and maid's uniform––amidst a tapestry of pastoral repression.
i live in a country were the lefts killed millions and have vigilantly kept an open-air all-national prison for 50 years , but it matters little for art.. if the right can get the worse out of people, then why do we still need psychiatrists? the self-liberating experiments of the sixties should have known that mein kampf is better for individual exorcism than screaming. thr film is nice , but it needs a sequel,
There are very few films that I have ever seen that have such a strong subtext of sensuality as to inspire genuine arousal, and very few still that are as perfectly executed, as this gem of a masterpiece. As Criterion so perfectly states, it's "classic Buñuel".
Thematically laying somewhere between Belle de Jour & Viridiana, Diary of a Chambermaid is probably one of Bunuel's most effective attacks on the hypocrisy and decadence of the bourgeoisie. By likening their rituals to those of the emerging fascist party in France, he compells the viewer to despise the "coming storm" of fascism as much as he does. Diary is another scintillating work by a great cinema provocateur.
Luis Bunuel's uncomfortable, subtle comedy is sexually-charged and mostly engaging. As intriguing as the characters are, and as complex as are their relationships, the tension is slight, which makes it drag in places and never quite reach its potential dramatic or comedic heights. Still, an interesting piece of work.