A performance of austerity on the subject of austerity. A filmmaker practices austerity to create art; a priest (Claude Laydu) practices austerity to instill faith: both seek to fluorish growth amidst the people. The ascetic habits and characteristics of the Priest are at once reflected in... Read More: http://aestheticsofthemind.wordpress.com/2012/04/28/diary-of-a-country-priest-journal-dun-cure-de-campagne/
Somehow totally conveys the menace of evil to this non-believer. Try out in a matinee with Pialat's "Sous Le Soleil De Satan" for a really cheery night in.
I understand why some find the film hard to watch, its far from dull but it requires a strong investment from the viewer. The film unfolds as testaments of seemingly selfless faith begin to border on intentional martyrdom. What's redeeming is the payoff in end isn't from god as old man in the sky but the revelation that grace can be found anywhere and that its not only accessible suffering. Masterpiece.
Beautiful and innovative (in it's use of diffuse and reflected light) cinematography by L. H. Burel.
We find in the frail, forbearing main character and that fortunate coupling with the hateful, conniving townies a daunting trial of faith, and through the accurate, very insightful dialogue we ultimately find the idealized answer to what it means to be catholic. On the other hand, there is also a chance you may feel completely indifferent to it if you're not that interested in religious culture.
characters not as robotic as mouchette or balthazar more conventional film from bresson. pretty good movie
A beautiful, beautiful film...but stay away until you are ready for intellectual suffering of the immortal soul.
"What does it matter? All is grace." The ending line left me in tears. Watching this was one of my most profound and deep experiences I've ever had.