In a signature role, Clint Eastwood plays a streetwise San Francisco police detective who gets the job done. A rooftop sniper (Andy Robinson) named Scorpio has killed twice. Harry Callahan will nail the perp, one way or the other, no matter what “the system” prescribes. Filming on location, director Don Siegel made the City by the Bay a vital part of one of the best police thrillers ever made. –Cannes Film Festival
Donald Siegel (October 26, 1912 – April 20, 1991) was an influential American film director and producer. His name appeared in the credits of his films as both Don Siegel and Donald Siegel.
Born in Chicago, he graduated from Jesus College, Cambridge in England, and found work in Warner Bros. film library, rising to become head of the Montage Department, where he directed thousands of montages, including the opening montage for Casablanca. In 1945 two shorts he directed, Hitler Lives? and A Star in the Night, won Academy Awards, which launched his career as a feature director.
He directed whatever material came his way, often transcending the limitations of budget and script to produce interesting and adept works. He directed two episodes of The Twilight Zone, “The Self-Improvement of Salvadore Ross” and “Uncle Simon”. He worked with Elvis Presley and Dolores del Río in Flaming Star (1960), and with Steve McQueen in Hell… read more
Still awesome after 40 years. Andy Robinson should've won an Oscar for best sound effects just for his cries of anguish when he was stabbed.
The film does worry me on a philosophical level though. Harry's 'The law is crazy' line, is certainly initially agreeable in the sense that it emphasizes what is one of the essential points of the film, namely, that ethics and the law have really nothing to do with one another. However, what we wind up getting from Harry isn't anything that I would call genuinely ethical, but rather a simple substitution of one law
(and i use the term law very deliberately) for another. Rather than the law of social convention, we just get the law of Kantian justice (i.e. the evil deserve to suffer; there are transcendental, inviolable and totally binding moral demands placed on us by reason; etc.), which doesn't seem to me to be any better, and which is certainly hypocritical. And maybe this is Siegel's point (knowing him, it probably is), but it gives me pause.
The first ever Notebook Soundtrack Mix! HYPER SLEEP includes work that reflects jazz, classical, experimental and pop influences.
"You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?" —Dirty Harry (Don Siegel, 1971) *** "Dead or alive, you
Clint Eastwood was born on May 31, 1930. "Being underestimated is, for some people, a misfortune. For Eastwood, it became a weapon." David
It's not—no, it's certainly not—any kind of criticism or qualified praise, to say that Baby Face Nelson, directed by Don Siegel in 1957, was
Starting tomorrow at the New Beverly Cinema in Los Angeles, Joe Dante will be presenting a week-long series of rarely screened favorites
A classic crime drama that is both smart and fun. Taking the basis of the Zodiac, The Scorpio killer is the epitome of scum and the only person with the guts to take him down is the one man killing… read review
The movies have always been a time capsule. They have always been influenced by the social, economic & political foundations of its country of origin. The paradoxical concept of ‘timelessness’… read review
A good thriller,but surely not special.Good direction by Don Siegel,but I don’t find the chase scenes so suspenseful.As for the screenplay,I think it was someway common.The cool policeman,who has his… read review
Rough, exciting and suspenseful thriller starring Clint Eastwood, in the role that made him a star, as police inspector Harry Callahan, one of the coolest and most iconic anti heroes in motion picture… read review