Hitparkut (Dissolution) combines an almost surreal fairy-tale energy with brutal black and white realism to explore the condition of violence which permeates contemporary Israeli society. Shot in Yafo (the predominantly Arab area of Tel Aviv), the movie follows the moral collapse and first glimmer of redemption, of a young, morose Israeli Jew.
Menkes’s films have shown widely in major international film festivals including Sundance, Rotterdam, Locarno, London, Viennale, San Francisco, Berlin, Cairo, Toronto,as well as at La Cinematheque Francaise, The British Film Institute, the ICA in London, the Beijing Film Academy in China, the Whitney Museum of American Art, the Museum of Modern Art in New York, MOCA and LACMA in Los Angeles. Menkes’ many honors include a Los Angeles Film Critics Association Award, a Guggenheim Fellowship, two Fellowships from the National Endowment for the Arts, an Annenberg Foundation Independent Media Grant, an American Film Institute Independent Filmmaker Award, three Western States Regional Media Arts Fellowships and two Senior Fulbright Research Awards—one to the Middle East/North Africa, and one to India. In addition, her work has been listed on many periodicals “Top Ten Films of the Year” lists, including Film Comment and, repeatedly, The Los Angeles Times. Her feature length, experimental documentary… read more
ISRAELI PREMIERE JERUSALEM INTERNATIONAL FILM FESTIVAL in dramatic competition, 2010 JULY 13th 6pm. hope to see you there. REDCAT THEATER, Los Angeles, in state of the art HD SEPTEMBER 20th, 8pm
Congrats, Nina. I am so looking forward to this. And of course, I am very much anticipating the release of Phantom of Love on DVD!
Also: The origins of the Korean New Wave. And the Skandies countdown is complete.
I'll leave the commentary on poster design to the far more knowledgeable Adrian Curry, but in rounding up notes on events happening
HUFFINGTON POST //SEPTEMBER 20, 2010
Written by Natasha Subramaniam
Persistent and unwavering in continuously producing independent work on her own terms, American director Nina Menkes has… read review