Django Unchained

Tarantino was born in Knoxville, Tennessee, the son of Tony Tarantino, an actor and amateur musician who was born in Queens, New York, and Connie McHugh, a nurse. Tarantino’s father is Italian American and his mother is of Irish and Cherokee ancestry. He was raised by his mother, as his parents separated before his birth. When he was two years old, he moved to Torrance, California and later to the Harbor City neighborhood where he went to Fleming Junior High School in Lomita and took drama classes. He attended Narbonne High School in Harbor City for his freshman year before dropping out of school at age 15, to attend an acting class full time at the James Best Theater Company in Toluca Lake.

At age 22 he worked at the Video Archives, a now-defunct video rental store in Manhattan Beach where he and fellow movie enthusiasts, including Roger Avary, discussed cinema and customer video recommendations at length. He paid close attention to the types of films people liked to rent and has cited that experience as inspiration for his directorial career. Tarantino has been quoted as saying, "When people ask me if I went to film school I tell them, ‘no, I went to films.’

After Tarantino met Lawrence Bender at a Hollywood party, Bender encouraged him to write a screenplay. Tarantino directed and co-wrote a movie called My Best Friend’s Birthday in 1987. The final reel of the film was almost fully destroyed in a lab fire that occurred during editing but its screenplay would form the basis for True Romance. In January 1992, Tarantino’s Reservoir Dogs screened at the Sundance Film Festival and was an immediate hit. The film garnered critical acclaim. Reservoir Dogs was a dialogue-driven heist movie that set the tone for his later films. Tarantino wrote the script in three and a half weeks and Bender forwarded it to director Monte Hellman. Hellman helped Tarantino to secure funding from Richard Gladstein at Live Entertainment (which later became Artisan). Harvey Keitel read the script and also contributed to funding, taking a co-producer role, and a part in the movie.
Tarantino has had a number of collaborations with director Robert Rodriguez.

Tarantino’s screenplay True Romance was optioned and eventually released in 1993. The second script that Tarantino sold was Natural Born Killers, which was revised by Dave Veloz, Richard Rutowski and director Oliver Stone. Tarantino was given story credit, and wished the film well. Following the success of Reservoir Dogs, Tarantino was approached by Hollywood and offered numerous projects, including Speed and Men in Black. He instead retreated to Amsterdam to work on his script for Pulp Fiction. After Pulp Fiction was completed, he then directed Episode Four of Four Rooms, “The Man from Hollywood”, a tribute to the Alfred Hitchcock Presents episode that starred Steve McQueen. Four Rooms was a collaborative effort with filmmakers Allison Anders, Alexandre Rockwell, and Robert Rodriguez. The film was very poorly received by critics and audiences. He appeared in and wrote the script for Robert Rodriguez’s From Dusk till Dawn, which saw mixed reviews from the critics yet led to two sequels, for which Tarantino and Rodriguez would only serve as executive producers.

Tarantino’s third feature film was Jackie Brown (1997), an adaptation of Rum Punch, a novel by Elmore Leonard. A homage to blaxploitation films, it starred Pam Grier, who starred in many of that genre’s films of the 1970s. He had then planned to make the war film provisionally titled Inglourious Bastards, but postponed it to write and direct Kill Bill (released as two films, Vol. 1 and Vol. 2), a highly stylized “revenge flick” in the cinematic traditions of Wuxia (Chinese martial arts), Jidaigeki (Japanese period cinema), Spaghetti Westerns and Italian horror. It was based on a character (The Bride) and a plot that he and Kill Bill’s lead actress, Uma Thurman, had developed during the making of Pulp Fiction. In 2004, Tarantino returned to Cannes, where he served as President of the Jury. Kill Bill was not in competition, Kill Bill Vol. 2 had an evening screening, while it was also shown on the morning of the final day in its original 3-hour-plus version with Quentin himself attending the full screening. Tarantino then went on to be credited as “Special Guest Director” in Robert Rodriguez’s 2005 neo-noir film Sin City for his work directing the car sequence featuring Clive Owen and Benicio del Toro.

The next film project was Grindhouse, which he co-directed with Rodriguez. Released in theaters on April 6, 2007, Tarantino’s contribution to the Grindhouse project was titled Death Proof. It began as a take on 1970s slasher films, but evolved dramatically as the project unfolded. Ticket sales were low despite mostly positive reviews.

Among his current producing credits are the horror flick Hostel (which included numerous references to his own Pulp Fiction), the adaptation of Elmore Leonard’s Killshot (for which Tarantino was credited as an executive producer although Tarantino was no longer associated with the film after its 2009 release.) and Hell Ride (written and directed by Larry Bishop, who appeared in Kill Bill Vol. 2).

Tarantino’s summer 2009 film Inglourious Basterds was the story of a group of guerrilla U.S. soldiers in Nazi-occupied France during World War II. Filming began in October 2008. The film opened on August 21, 2009 to very positive reviews and the #1 spot at the box office worldwide. It went on to become Tarantino’s highest grossing film, both in the United States and worldwide.

In 2011, production began on Django Unchained, about the revenge of a slave in the U.S. South in 1858. The film stemmed from Tarantino’s desire to produce a spaghetti western set in America’s Deep South; Tarantino has called the proposed style “a southern”, stating that he wanted “to do movies that deal with America’s horrible past with slavery and stuff but do them like spaghetti westerns, not like big issue movies. I want to do them like they’re genre films, but they deal with everything that America has never dealt with because it’s ashamed of it, and other countries don’t really deal with because they don’t feel they have the right to”. The film was released on December 25, 2012. —Wikipedia