Domino Harvey (Keira Knightley) was born into a life of wealth and privilege, but that wasn’t the life she wanted. Leaving her modeling career and socialite family behind, Domino becomes a bounty hunter and joins an unusual gang of degenerates to hunt down and capture felonious bail jumpers. They become the most successful and infamous group of bounty hunters in Los Angeles, and, when they sign on to become the stars of a reality television show about their careers, they find their lives are seriously affected. What results is an action-packed chase to capture the most dangerous of fugitives and to get themselves out of an FBI investigation. –New Line Cinema
Tony Scott was a British-born film director and producer. He was the youngest of three brothers, one of whom is fellow film director Ridley Scott. He was born in North Shields, Northumberland, England to parents Jean and Colonel Francis Percy Scott. As a result of his father’s career in the British military, his family moved around a lot. Their mother loved the going to the movies and instilled a love of cinema in her children.
While still a teenager, producer and director Tony Scott made his first foray into film with an appearance in his big brother Ridley Scott’s first short film, Boy and Bicycle. He later attended London’s Royal College of Art, as did his brother, and proceeded to get his feet wet behind the camera, at first by directing TV commercials for his brother’s production company Ridley Scott Associates. He became a leader in the British commercial industry, directing countless ads and building up an impressive resumé over the years. By the early ‘80s, Tony Scott… read more
Glamour & then guns. The featurettes show how different the real Domino is from Knightly's version; it is a brave homage nonetheless. Kelly's vaguely surrealistic script and Scott's off-the-wall visual style are a match made in (cinema) heaven. The weakest point is Édgar Ramirez, who reluctantly plays Rourke's aide and Knightley's love interest. "Girls with guns" never looked this good.
Tony Scott's most unfairly savaged film: the one where the style most fits the content, where the crass elements are most clearly satirical, and where the shifting interplay between reality and media make for a cheeky look at a world drowning in pop culture. Seeing it for the first time yesterday, I'm not sure why this was so hated when it came out in theaters. Then again, I had pause button. 4 out of 5 stars.
So is the consensus tipping to "pulpy, fun hit" on this one? Savaged when it came out, save for Dargis and Ebert; now it seems like there are more echoing their comments than refuting them.
One “movement” in our exquisite corpse-style critical project on Tony Scott. Each movement features ten critics and ten scene analyses.
Movement 3B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Domino (2005).
Movement 8B in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Domino (2005).
An exquisite corpse-style critical project on the films of Tony Scott featuring twenty critics and twenty scene analyses.
One “movement” in our exquisite corpse-style critical project on Tony Scott. Each movement features ten critics and ten scene analyses.
Movement 3A in the Notebook’s critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Domino (2005).
Movement 7A in a critical exquisite corpse project analyzing films by Tony Scott. This entry focuses on Domino (2005).
On the late great.