On a mission to reinstate the Spanish king Ferdinand VII, French General Armand de Montriveau leads his troops to a Spanish island. For five long years he has scoured every convent in Europe and the New World in search of a woman he once loved desperately who has now disappeared without trace. Here at last, he finds her. He asks to speak to the nun, Thérèse…
Paris, five years earlier. The restoration has triumphed, ushering in an era of hypocrisy, superficiality and avarice. Antoinette de Navarreins, the coquette wife of the Duke of Langeais, is a product of the epoch. Armand de Montriveau falls hopelessly in love with her the moment he sees her, and it would appear that his love is reciprocated. However, the duchess makes use of all her fashionable wiles to toy with his affections. Montriveau tries in vain to obtain irrefutable proof of her love for him, but Antoinette rebuffs him, hypocritically citing religious grounds. During a ball, Armand points to Antoinette’s neck and recalls a trip to West minster: “Don’t touch the axe” were the words of the guard on showing him the weapon used to behead Charles I. From this moment on, Armand de Montriveau decides to ignore his inamoratas and do everything in his power to get his revenge… —Berlinale
Jacques Rivette was one of the central figures in the French New Wave (Nouvelle Vague) movement. Along with Jean-Luc Godard, Rivette was considered the most experimental director of the movement, which his work exemplified. Like many other contemporaries, Rivette had a background in film theory, and he was also a film critic. His work involved a complex interweaving of documentary, fiction, and improvisation. His stories progressed in unconventional ways, and were often quite long. As a result, his work has seldom been shown. Rivette’s film career has spanned seven decades, from Aux Quatre Coins in 1949 to the romantic comedy Va Savoir in 2001. —allmovie guide
Unfussy and voluminous. The deviousness of lines like "...I would die of sorrow tomorrow" can kill.
Reminded me of that Bergman quote in Passion of Anna, "I accepted the humiliation..." Stay away from this kind of woman, only bad experiences can happen. I try to get away after the first mean sentence if I spot one.
Each of the Notebook's writers were given the opportunity to submit their ten favorite films of 2008 given at least a week's theatrical run
Each of the Notebook's writers were given the opportunity to submit two lists of their ten favorite films of 2008. One is restricted to films
The following might contain spoilers
In the early stages of their acquaintance, Montriveau tells the duchess of one of his exploits. He recounts walking through the desert to… read review