Henry “Harry” Jekyll is a well respected member of London society. In his personal life, he is pre-engaged to Muriel Carew, the daughter of a brigadier general. In his professional life, he is a medical doctor, scientist and academician. He theorizes that in each man is a good side and an evil side which can be separated into two. In doing so, the evil side can be controlled and the good side can live without worry, in combination leading to the betterment of society. In his experiments, he uses himself as the subject to test his hypothesis. His evil side, who he coins Mr. Hyde, escapes into London, and terrorizes party-girl Ivy Pierson. Jekyll, aware of Hyde’s goings-on, decides to stop his experiments because of the suffering he has caused Ivy. What Jekyll is unaware of is how ingrained Hyde is in Jekyll’s life. —IMDb
With the possible exception of Stanley Kubrick, no director who worked in the Hollywood studio system ever exerted more influence over the entire field of film, and the sensibilities of audiences, than Rouben Mamoulian. With an output of a mere 16 movies across just 30 years, the Russian-born Armenian-descended Mamoulian, working as director and producer much of the time, managed to generate an array of classic films in the musical, dramatic, and action-adventure fields, and was also involved in the planning and all but the final direction of three renowned Hollywood films.
Rouben Mamoulian was born in Tbilisi — which was 60-percent Armenian at the time — in Russian Georgia, in 1897. He attended university in Moscow, studying law, no less, when he decided to join the Second Studio at the Moscow Art Theater, where he studied under Vakhtangov. It was during Mamoulian’s early training as an actor and a director that he learned the importance of rhythm — structural rhythm — in creating… read more
Pre-Halloween camera, eroticism, realistic Hyde portrayal; all creates the most successful film adaptation. by the way, Hopkins is an underrated actress of the Golden Era who played in Lubitsch movies like Trouble in Paradise and Design for Living and many more (The Story of Temple Drake, The Children's Hour) very well.
A new column dedicated to short-form criticism. Each week, three writers offer capsules which engage with a classic or contemporary film.