As my first and only introduction into Jodorowsky as of yet, I have to say I went into viewing with a set of already pre-established expectations which were surprisingly not met. This is not inherently a negative or positive characteristic, rather my perception of the film was quite skewed by what I had learned, read, and heard about the film from others.

I found the surrealist elements quite tame and nowhere near the extremity I was expecting. Confusion was all together minimal, and at least this viewer for the most part, found the film fairly straightforward both in a narrative context, and in its symbolism. There are clear dichotomies present, and actually most if not all the ones studied in many Latin American nations today. The clearest one seemed to be the conflict and symbiotic relationship between a polarized “white” West, and the “darker” indigenous cultures. The film literally showcases a “sexual” attraction between the two in many different contexts such as in religion, culture, and race. A clear virgin/whore dichotomy in addition to a serious case of an “Eve” complex is highly prevalent in the film’s narrative.

It seemed to me that if anything, the extreme and almost cartoonish nature of much of Jodorowsky’s film serves as satire on the present cultural buildup, almost literally showing that the cultural birth of today’s society is the result of a “rape”. Such facets like religion (in a Western mold) are seen in a parodical context as completely absurd and laughable, as does the presence of what can only be termed “white-face” seen on many of the film’s antagonistic characters such as the town sherriff.

Overall, a very interesting film for all its socio-cultural subtexts as well as some breathtaking visuals. All in all, definitely lives up to the hype and praise.