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Synopsis

In spite of, or perhaps on account of, its author’s confrontational grappling with taboos, Michel Houellebecq’s grotesque portrait of society encapsulated in his 1998 novel Les particules élémentaires (Atomised) acquired cult status almost immediately following its publication. For his screen adaptation of a work often described as ‘the scandalous novel of the outgoing twentieth century’, director Oskar Roehler has decided to transpose events to Berlin, shortly after the millennium.

Michael and Bruno are half-brothers. They could not be more different. Their mother, Jane, once led the carefree life of a member of the jet set, while her sons grew up apart with their grandmothers. Michael, an introverted molecular biologist who is completely disinterested in sex, is far more attracted to genetic research than he is to women; Bruno’s contacts with the opposite sex are either manifested in his head – or in the bordello.

But then, the two brothers finally encounter the loves of their lives. Michael meets an old school friend, Annabelle. These two have always felt shyly drawn to each other, ever since they were children. Bruno and Christiane meet at an esoteric holiday camp. In Christiane, Bruno has at last found someone with whom he can live out his sexual obsessions. But the brothers’ happiness proves to be short-lived when both women fall fatally ill. Bruno and Michael find themselves faced with an ultimatum: either to go back to their familiar loneliness, or broach the unknown in the shape of life as a couple. –Berlinale

Director

Original

Oskar Roehler

Oskar Roehler, born January 21, 1959, in Starnberg, as the son of writer Gisela Elsner (who later emigrated to the GDR) and Luchterhand editor Klaus Roehler. Oskar Roehler grew up with his father in Berlin. From the beginning of the 1980s on, Roehler worked as a writer und published “Abschnappuniversum”, a collection of stories, in 1984. He wrote screenplays for Christoph Schlingensief (“Terror 2000”, 1992) and for Niklaus Schilling ("Deutschfieber, 1992), among others. In 1995, Roehler made his debut as a director with the one-hour long low budget production “Gentleman”. In 1997, Roehler won the award as “Best new director” at the Munich film festival for his second film “Silvester Countdown” (“In With The New”, 1996). Three years later, he made his final breakthrough with “Die Unberührbare” (“No Place To Go”, 2000), a film about the life of his mother. Roehler won the German film award for “Best picture” as well as several awards from international festivals (including Miami, Karlovy… read more

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bresler

28Sep11

i had to fast-forward it several times because i couldn't stand nor the acting neither the direction - just to realize that they've changed the amazing end to some sort of romantic drama crap. the worst adaptation ever. i still don't know how they managed to ruin the book this hard.

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Kairo

31May11

A sad pale remnant of an echo, of a suggestion, of the original brilliant material.

Oistein Refseth

2Apr11

Mortiz Bleibtreus beste rolle?

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Karmacoma

26Jan11

michel houellebecq probably laughed, when he watched this pseudo-intellectual soft porn

prestidigitator likes this

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The new Adam

By Ogier de Beausea​nt on February 9, 2012

The Elementary Particles (2006)
Written and directed by Oskar Roehler
From the novel by Michel Houellebecq
Famous for his dyspeptic view of late 20th century culture…  read review

Pas assez désenchanté

By hubertg​uillaud on April 21, 2010

Pas assez désenchanté – 06/09/2009

Oskar Roehler a bien rendu le regard désenchanté – le “cynisme neurasthénique” – et cruel du roman de Houellebecq, tout en gardant une certaine originalité…  read review

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