Elena and Vladimir are an older couple, they come from different backgrounds. Vladimir is a wealthy and cold man, Elena comes from a modest milieu and is a docile wife. They have met late in life and each one has children from previous marriages. Elena’s son is unemployed, unable to support his own family and he is constantly asking Elena for money. Vladimir’s daughter is a careless young woman who has a distant relationship with her father.
A heart attack puts Vladimir in hospital, where he realizes that his remaining time is limited. A brief but somehow tender reunion with his daughter leads him to make an important decision: she will be the only heiress of his wealth. Back home he announces it to Elena. Her hopes to financially help her son suddenly vanish. The shy and submissive housewife then comes up with a plan to give her son and grandchildren a real chance in life. –Cannes Film Festival
Andrey Petrovich Zvyagintsev (Russian: Андре́й Петро́вич Звя́гинцев) (born February 6, 1964) is a Russian film director and actor. He is mostly known for his 2003 film The Return, which won him a Golden Lion at the Venice Film Festival.
Zvyagintsev was born in Novosibirsk, Siberia. At the age of 20 in 1984 he graduated from the drama school in Novosibirsk as an actor. Since 1986 he has lived in Moscow where he continued his studies at the Russian Academy of Theatre Arts until 1990. From 1992 to 2000 he worked as an actor for film and theater. In 2000 he began to work for the TV station REN TV and directed three episodes of the television series The Black Room.
In 2003, he directed his first feature film The Return, which received several awards, including a Golden Lion at the Venice Film Festival. His second feature film The Banishment premiered at the 2007 Cannes Film Festival and was nominated for a Palme d’Or. n 2008, he directed a short segment for the film New York… read more
Quietly engrossing drama about a woman whose husband refuses to help take care of her struggling son and his family. When he decides to leave them out of his will completely, she must resort to unthinkable measures to ensure their well being. Anchored by a strong central performance, the film is a study in understated suspense and unspoken pain.
A look at the process that led to the poster for the new Zvyagintsev and its designer’s selection of his favorite movie posters of all-time.
Overviews of the Museum of the Moving Image series: 13 features and seven shorts, nearly all of them New York premieres.
High time to round up the films at this year's Cannes Film Festival that never saw entries of their own and send them on their way. Today
The long introductory shot introducing the apartment Elena shares with her second husband (and former employer) begins looking just like any ordinary apartment then slowly reveals evidence of wealth… read review
Elena is the third feature film by Russian director Andrei Zvyagintsev. He came to prominence with his startling debut The Return, an enigmatic, visually striking film about a family road trip. His… read review