This first long feature, designed as an immense “tableau vivant”, tells the Old Testament story of Esther, who does not know she is Jewish when she is chosen by King Ashasuerus as his wife. Upon discovering a plot against her people, she manages to save them. Using this myth of survival and resistance, Amos Gitai also narrates the revengeful exterminations perpetrated by the Jews against their enemies. This violence resonates with current events, creating a parallel underscored by the ruins of Wadi Salib, where Gitai filmed the story. This is the first part in a trilogy that also comprises Berlin Jerusalem and Golem, the Spirit of Exile. –AmosGitai.com
Born in Haifa in 1950, as the second son of architect Munio Weinraub and former Sionist activist Efratia Margalit. On the year of his birth, his parents changed the family name to “Gitai”, which is the Hebrew translation of the German name “Weinraub”. While he was a student in architecture, Amos Gitai joined the Yom Kippur war in 1973 as a reserve duty officer, and served as part of a helicopter rescue team. While serving during the war, he started filming with a 8mm camera his mother gave him as his birthday present. On his 23rd birthday, October 11th 1973, his helicopter was shot down by a Syrian missile. Among the 7 crews on board, 6 of them survived, including Gitai himself, who was inspired by this traumatic experience to quit architecture and move to filmmaking. He made a documentary on this incident and his fellow survivors, “Kippur: War Memories” in 1993, then a fictional recreation of it “Kippur” in 2000.
in 1979, Gitai directed his first feature-length documentary “House”… read more
This is one of the few films that could change the world if everyone saw them. So powerful, breathtaking and at the same time, a brick to the face.
"Antonioni's career can be divided into the periods before and after L'Avventura (1960)," writes Dennis Lim in the Los Angeles Times. "By