Swedish master Jan Troell, director of the beloved classics The Emigrants and The New Land, returns triumphantly with Everlasting Moments, the vivid, heartrending story of a woman liberated by art at the beginning of the twentieth century. Though poor and abused by her alcoholic husband, Maria Larsson (Maria Heiskanen, in a beautifully nuanced portrayal) finds an outlet in photography, which opens up her world for the first time. With a burnished bronze tint that evokes faded photographs, and a broad empathetic palette, Everlasting Moments—based on a true story—is a miraculous tribute to the power of image making. –The Criterion Collection
Troell writes his own scripts and serves as his own director of photography. His realistic films with a lyrical photography in which nature is prominent have placed him in the first rank of modern Swedish film directors along with Ingmar Bergman and Bo Widerberg, the former considered best of the three.
Troell was born in Limhamn outside Malmö, Sweden. For several years, he worked as an elementary-school teacher but started to make shorts films in the sixties. He became director of photography for Widerberg but soon made a debut with his own first feature, Here’s Your Life (Här har du ditt liv, 1966), about a working class boy in Sweden, set in the beginning of the 20th century. The film was based upon an autobiographical novel by Eyvind Johnson. His next film Who Saw Him Die? (Ole dole doff, 1968) won the Golden Bear award at the 18th Berlin International Film Festival.
Troell’s major work in the 1970s became The Emigrants (Utvandrarna, 1971) and its sequel The New Land… read more
probably one of the best movies that depicts a life of a woman. it never gives in to any cliche or some kind of forced statement on feminism, but beautifully depicts a woman's passion for life. it has respects for it's suffering subjects and does a great job in telling a story so simple yet moving.
A very beautiful period drama,a very complete depiction of the Larsson family's ups and downs,and in the end,the power of true love and perseverance. Simple yet tunning cinematography
Maja Larsson: "But why mom stayed with dad, I'll never know. Maybe it was love."
"The great French critic André Bazin said of director Luchino Visconti that he filmed the Sicilian fishermen in La Terra Trema as if they
Amazing period piece from Swedish master Jan Troell, who, taking a page from “Fanny and Alexander”, examines the lives of a large family in the early 20th century, focusing on a strong-willed mother… read review
In early 20th century Sweden, Maria, hubby Sigfrid and litter of children save every kronor they can to continue surviving, despite the greatest danger in their lives being the inconsistent, drunken… read review
What a gorgeous poster, and frankly a gorgeous film despite its hard look at love conquering abuse, alcoholism, and the shattering of dreams. Sometimes two people find themselves forgiving each other… read review