Evolution of a Filipino Family

Lavrente Indico Diaz is a multi-awarded independent filmmaker who was born on December 30, 1958 and raised in Cotabato,Mindanao. He works as director, writer, producer, editor, cinematographer, poet, composer, production designer and actor all at once. He is especially notable for the length of his films, some of which run for up to eleven hours. His eight-hour Melancholia, a story about victims of summary executions, won the Grand Prize-Orizzonti award at the Venice Film Festival 2008. His work Death in the Land of Encantos also competed and represented the country at the Venice Film Festival documentary category in 2007. It was granted a Special Mention-Orizzonti. The Venice Film Festival calls him “the ideological father of the New Philippine Cinema”.

Diaz says that he usually writes his scripts while shooting, letting his creative instincts take over and allowing the story to evolve as filming progresses. He tends not to follow industry conventions, such as using film scores or using quick shots for his scenes. He says that using long takes, aside from giving scenes more pathos or emotional depth, is his way of expressing an important part of his culture: that Filipinos, as Malays, are not governed by the concept of time.

As a young man, Diaz was particularly inspired by Lino Brocka’s Maynila: Sa Mga Kuko ng Liwanag, describing it as the film that opened his eyes to the power of cinema. Ever since then, he made it his mission to make good art films for the sake of his fellow Filipinos. His body of work has led critics to call him both an “artist-as-conscience” and the heir to Lino Brocka. Diaz has also been compared to other great Filipino directors such as Ishmael Bernal, Mike de Leon and Peque Gallaga, whose films examined the ills of Filipino society. —Wikipedia