Sean Archer, a very tough, rugged FBI Agent. Who is still grieving for the dead son Michael. Archer believes that his son’s killer is his sworn enemy, a very powerful criminal, Castor Troy. One day, Archer has finally cornered Castor, however, their fight has knocked out Troy cold. As Archer finally breathes easy over the capture of his enemy, he finds out that Troy has planted a bomb that will destroy the entire city of Los Angeles and all of its inhabitants. Unfortunately the only other person who knows its location is Castor’s brother Pollux, and he refuses to talk. The solution, a special operation doctor that can cut off people’s faces, and can place a person’s face onto another person. Archer undergoes one of those surgeries to talk to Pollux. However, Castor Troy somehow regains consciousness and now wants revenge on Archer for taking his face. Not only is Troy ruining Archer’s mission, but his personal life as well. Archer must stop Troy again. This time, it’s personal. –IMDb
The first Asian filmmaker to helm a major Hollywood feature, John Woo initially emerged as the leading light of the Hong Kong action renaissance of the late ’80s. Celebrated for his unique, much-imitated style: a Molotov cocktail of graceful slow-motion sequences, staccato edits, freeze-frames, and dissolves; Woo brought a new depth of emotion and visual beauty to the action genre, perfecting an operatic, highly stylized brand of mayhem laced with melodrama, savage wit, and homoerotic undercurrents. Woo was born Wu Yu Sen on May 1, 1946, in the Guangzhou Canton Province of China, his parents relocating the family to Hong Kong three years later to escape life under communism. The Woos were quite poor, and were homeless for several years. His father, a philosopher, was later hospitalized with tuberculosis for over a decade. It was his mother who introduced Woo to the cinema, where he fell under the sway of American musicals and the films of the French New Wave, with Jean-Pierre Melville… read more
I am surprised how much i still enjoy the film.
The film is strange in that it’s supposedly modern but everything feels a little off, Futuristic. The style of the action is broad and over the… read review