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Faithless

Trolösa

Sweden, Finland, Italy, Norway, Germany

2000

154 Min
Color
1.85:1
Swedish, French
  • Currently 3.8/5 Stars.
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DIR Liv Ullmann

EXEC Maria Curman

PROD Kaj Larsen, Johan Mardell

SCR Ingmar Bergman

DP Jörgen Persson

CAST Lena Endre, Erland Josephson, Krister Henriksson, Thomas Hanzon, Michelle Gylemo, Juni Dahr, Philip Zandén, Thérèse Brunnander, Marie Richardson, Stina Ekblad, Johan Rabaeus, Jan-Olof Strandberg, Björn Granath, Gertrud Stenung

ED Sylvia Ingemarsson

SOUND Per Boström, Gunnar Landström, Christer Melén, Bengt Wallman

Cannes (In Competition), Edinburgh, Telluride, New York, Toronto (Special Presentation), Berlinale (Retrospective)

Synopsis

A screenwriter summons his muse in the form of a memory as he sits down to write a script about a past affair. After Marianne appears to him and discusses his ideas for the story, she’s transformed into the main character of the film he’s writing.

Director

Original

Liv Ullmann

Though born a citizen of Norway, Liv Ullmann did not set foot in her homeland until she was seven years old. The daughter of a Norwegian engineer stationed in Japan at the time of her birth, Ullmann moved to Canada when World War II broke out, then relocated to Norway in 1946, where she received the bulk of her education. Deciding upon an acting career, she studied at the Webber-Douglas academy in London. Ullmann began her stage work in Stavanger and Oslo, and in the late ’50s, she starred in the Norwegian production of The Diary of Anne Frank.

In films from 1959, Ullmann’s breakthrough role was catatonic actress Elisabeth Vogler in Ingmar Bergman’s Persona (1966), a part she landed primarily because of her striking resemblance to co-star Bibi Andersson. Bergman became Ullmann’s mentor and paramour; they lived together for several years, during which time Ullmann bore the director a daughter named Linn Ullmann, who has occasionally appeared in her mother’s films. Ullmann… read more

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Howard Orr

25Apr12

A thinly-veiled autobiographical work written by Bergman and brilliantly directed by Liv Ullmann. Like "Through A Glass Darkly", it is a film about an artist's exploitation of another's suffering, which often comes at the expense of their own sanity. The work of aged but unbowed genius; to me it is to Ullmann as well as Bergman's credit that it is on the same level as the master's greatest cinematic achievements.

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Joel

30Jul11

The first "movement" as it were moves slow and lays on thick with seemingly unnecessary detail and a lack of dramatic pace but the last hour devastates like almost none-other. A bergmanesque Closer. I sometimes forget why Bergman is considered the king of intense chamber dramas and then films like this come along. I couldn't swallow for the last hour.

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cristiananananana

8Jun10

had to watch this in several parts

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W184

Erland Josephson, 1923 - 2012

By David Hudson on February 26, 2012

Primarily remembered for his work with Bergman and Tarkovsky, Josephson was also a director himself as well as a novelist and playwright.

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