A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it’s dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape (set in contemporary Hong Kong), he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world’s attention in his own unconventional ways. –IMDb
Born in Shanghai, he moved to Hong Kong with his parents at the age of five. Coming from the Mainland and speaking only Mandarin and Shanghainese, he had a difficult period of adjustment to Cantonese speaking Hong Kong, spending hours in movie theatres with his mother. He made his directing debut in 1988 with As Tears Go By, produced by Alan Tang. It was a crime melodrama of the kind then hugely popular, and with heavy borrowings from Martin Scorsese’s Mean Streets (1974), but already displayed one of his principal trademarks in its atmospheric and sometimes expressionistic color palette. It is his only box office hit to date. Wong went on to direct several more feature films in the 1990s, among these were Chungking Express (1994), Fallen Angels (1995), Ashes of Time (1994). His first major international recognition was at the 1997 Cannes Film Festival where he won the Best Director prize for Happy Together (1997). The filming of In the Mood for Love (2000) had to be shifted from Beijing… read more
revisiting this movie, along with the rest of Wong Kar-Wai's films lately, i felt that this was his weakest of his early films, but then i saw Takeshi Kaneshiro's character towards the end of this movie and remembered why i love this movie so much and why Wong Kar-Wai is the best.
As a person who watches way too many Asian action/martial arts films, it was glaringly obvious to me that parts of this film were riffing on John Woo’s HK movies (the Killer and Hard Boiled) in how… read review
A eerily dreamy film, it follows two alienated Hong Kong males’ quirky efforts for romance. Hands down my favorite Wong Kar Wai flick, if not favorite film in general. It’s the type of film I feel… read review
First movie I’ve watched from this director.
More of a formalist study than a dramatic one. The individual scenes are composed as microcosms emphasizing a primary theme. People occupy the same… read review