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Kino_w60

Fallen Angels

Duo luo tian shi

Hong Kong

1995

96 Min
Color, Black and White
1.85:1
Cantonese
Subtitled in English
Audio in Cantonese
  • Currently 4.1/5 Stars.
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DIR Wong Kar-wai

EXEC Jacky Pang Yee Wah, Wong Kar-wai

PROD Jeffrey Lau

SCR Wong Kar-wai

DP Christopher Doyle

CAST Leon Lai, Michelle Reis, Takeshi Kaneshiro, Charlie Yeung, Karen Mok

ED William Chang, Wong Ming Lam

PROD DES William Chang

MUSIC Frankie Chan, Roel A. García

SOUND Raymond Mak

Toronto (Special Presentations), Berlinale (Forum), New York, Berlinale (Retrospective)

Synopsis

A disillusioned killer embarks on his last hit but first he has to overcome his affections for his cool, detached partner. Thinking it’s dangerous and improper to become involved with a colleague he sets out to find a surrogate for his affections. Against the sordid and surreal urban nightscape (set in contemporary Hong Kong), he crosses path with a strange drifter looking for her mysterious ex-boyfriend and an amusing mute trying to get the world’s attention in his own unconventional ways. –IMDb

Director

Original

Wong Kar-wai

Born in Shanghai, he moved to Hong Kong with his parents at the age of five. Coming from the Mainland and speaking only Mandarin and Shanghainese, he had a difficult period of adjustment to Cantonese speaking Hong Kong, spending hours in movie theatres with his mother. He made his directing debut in 1988 with As Tears Go By, produced by Alan Tang. It was a crime melodrama of the kind then hugely popular, and with heavy borrowings from Martin Scorsese’s Mean Streets (1974), but already displayed one of his principal trademarks in its atmospheric and sometimes expressionistic color palette. It is his only box office hit to date. Wong went on to direct several more feature films in the 1990s, among these were Chungking Express (1994), Fallen Angels (1995), Ashes of Time (1994). His first major international recognition was at the 1997 Cannes Film Festival where he won the Best Director prize for Happy Together (1997). The filming of In the Mood for Love (2000) had to be shifted from Beijing… read more

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Displaying 4 of 40 wall posts.
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CroMartin

2May12

Awesome movie. Especially when dodging power outages in NE Kansas.

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Zachary Curl

19Apr12

revisiting this movie, along with the rest of Wong Kar-Wai's films lately, i felt that this was his weakest of his early films, but then i saw Takeshi Kaneshiro's character towards the end of this movie and remembered why i love this movie so much and why Wong Kar-Wai is the best.

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my nigga totoro

7Feb12

pretty excited that i get to see this on the big screen next month!

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Christopher

4Jan12

Gets better and better every time I see it.. Fucking love the ending

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Fallen Angels

By asuraf on May 14, 2010
The second of Wong Kar Wai’s breakout 90’s trilogy of jumbled urban life refracted through a hazy neon lens of post-modernism, following “Chungking Express” with a similar two-story arc about a hitman…

Untitled

By Gap Wilds on November 27, 2009

As a person who watches way too many Asian action/martial arts films, it was glaringly obvious to me that parts of this film were riffing on John Woo’s HK movies (the Killer and Hard Boiled) in how…  read review

Untitled

By Ryan Diego Brougha​n on November 6, 2009

A eerily dreamy film, it follows two alienated Hong Kong males’ quirky efforts for romance. Hands down my favorite Wong Kar Wai flick, if not favorite film in general. It’s the type of film I feel…  read review

Untitled

By sstrade​r on August 12, 2009

First movie I’ve watched from this director.

More of a formalist study than a dramatic one. The individual scenes are composed as microcosms emphasizing a primary theme. People occupy the same…  read review

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