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Film Still

Fantasma

France, Netherlands, Argentina

2006

63 Min
Color
1.85:1
Spanish
  • Currently 3.5/5 Stars.
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DIR Lisandro Alonso

PROD Lisandro Alonso, Ilse Hughan, Marianne Slot

SCR Lisandro Alonso

DP Lucio Bonelli

CAST Argentino Vargas, Misael Saavedra, Carlos Landini, Jorge Franceschelli, Rosa Martinez

ED Lisandro Alonso, Delfina Castagnino

PROD DES Gonzalo Delgado, Guy-Claude François, Thierry François

MUSIC Flor Maleva

SOUND Catriel Vildosola

Cannes (Quinzaine des Réalisateurs), Toronto

Synopsis

Director Lisandro Alonso offers an offbeat and wonderfully bizarre commentary on his singular filmmaking practice in this self-reflexive featurette which finds Argentino Vargas, the star of Los Muertos, wandering through the Teatro San Martin — the Buenos Aires home theater of the Cinemateca Argentina — in search of the film’s premiere. As Alonso’s camera slowly floats through the shadowy bowels of the building, striping bare the dingy backstage of the cultural apparatus, Fantasma offers a spirited commentary on the theatricality of even the most rigorously non-professional performance and of the cinematic ritual itself. —http://hcl.harvard.edu/hfa/films/2009octdec/alonso.html

Director

Original

Lisandro Alonso

Born in Buenos Aires in 1975, Lisandro Alonso studied at the Universidad del Cine (FUC) and co-directed in 1995 with Catriel Vildosola his first short film Dos en la Vereda (1995). After working as assistant sound engineer in many short films and a few features and as assistant director of Nicolas Sarquis for his film Sobre la Tierra, Lisandro Alonso returned to directing, making his first feature. In 2003 he founded 4L, a production company based in Buenos Aires, to produce his own films. Lisandro Alonso’s first feature La Libertad (2001) was chosen for the Festival de Cannes (Un Certain Regard). His most recent productions, Los Muertos (2004) and Fantasma (2006), were also invited to Cannes, premiering in the Director’s Fortnight. —The Match Factory 

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Coheed 2.0

28Sep11

It took me three attempts to see the film all the way through, but now I finally have it was worth it. As my first film by Lisandro, despite referencing previous work, its breathtaking; it tapped into my fascination with public environments, especially when you're alone in them like the characters are, and lets them and their surroundings 'breathe' on screen. The 2012 UK DVD release of 'Liverpool' is too long a wait.

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Al Saad

23Jun11

This film is almost equal with "GOOD BY DRAGON INN" from Tsai Ming Liang , but especially this more special compare with Tsai

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Canaletto

11Oct10

There are glimpses of “something” in Alonso’s work but it’s seriously overshadowed by a huge dark cloud of… emptiness perhaps.

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Jerry Johnson

21Jul10

Lisandro's trilogy is a single piece. It has nothing to do with Tsai Ming-Ling. The comparison is with Pedro Costa.

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Phantasma--

By Polaris​DiB on July 22, 2010

Phantasmagoria is the projection on smoke, the pre-cinematic origins of moving photography in an almost 3-dimensionality. Thus, we have Lisandro Alonso’s Fantasma, which is none of those things—simply…  read review

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