Fifteen minutes in I had a feeling I would love this film. Never seen Dennis Quaid as good as he was in this.
Everything about FAR FROM HEAVEN feels so forced, often tipping into pastiche. But homage films rarely succeed.
Beautiful cinematography. Captures the melodramatic cinema created by Douglas Sirk in the 1950s effortlessly. The story is riveting as Julianne Moore tries to overcome the prejudices and status quo of her society as Jayne Wyman does in All That Heaven Allows. Soundtrack is reminiscent of that era.
Such a beautiful, moving and important movie. The feel of it is perfect and the performances are extraordinary.
Todd Haynes' film is still relevant today because of his personal gaze at repression of human emotions, and sexuality in particular. By staging this painful love story in the middle-class suburbs of the 1950s America, Haynes has also made a timeless film about the 'self-defense systems' of groupmentality, with a historical context adressing racism as well as homosexuality. Julianne Moore's most versatile performance!
Julianne faz o papel de mulher submissa, mas forte ao mesmo tempo. Gosto do cabelo dela mais ruivo. Ela deveria desistir de ser loira! :P
It's not often that a movie moves you in ways where you both feel for the the repressive taboos of a past decade whilst triggering you to re-evaluate the behaviour of present society. Julianne Moore and Dennis Haysbert are really bearing their souls out with performances that will mark both their careers.
So heart-achingly beautiful, Todd Haynes' tribute to the melodramas of Douglas Sirk comes the closest to capturing the look and feel of a fifties soaper out of all the modern day melos. The cinematography is gorgeous shot naturally in rich, eye popping colors with graceful camera movements. The acting is amazing on all fronts as well.
However it takes a little while to get going, and one area where it doesn't successfully homage Sirk is in capturing his sense of perverse irony and dark comedy. However it's still one of the best films of the past decade. It's on Netflix instant and I highly recommend checking it out.
This movie is so heartbreakingly elegant and elegantly heartbreaking it almost hurts. Julianne Moore has never been more dramatically alluring as a housewife watching her perfect life fall apart without an escape plan or way of expressing her pain.
A suburban melodrama pulled from All That Heaven Allows: lurid technicolors, and an ever gliding camera. Such a smooth surface that masks the rampage underneath.
This one made me a Todd Haynes fan. Great drama and stunningly executed. His visual sensibility in every shot is outstanding. Quaid is and absolute knockout.